It is an exciting evening for gentlemen around the world. Ermenegildo Zegna has relaunched their online website, Zegna.com.
Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
Street-style photographer Roza Sinaysky went wondering throughout the streets of Paris to document some of the outstanding moments in Fashion Week.
In less than a week Rehs Contemporary Galleries will open its doors to premiere “THE BIG GAMBLE”, a gallery exhibition featuring talents from the Ani Art Academies.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.
The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.
In the least shocking news of the month, PPR announces the purchase of a majority stake of Christopher Kane
With a new full-length rocktronica album scheduled for release in March 2013, new DJ music coming and an official remix of the The Doors – Waiting For The Sun, the group plans to have a very busy upcoming year.
Rescue efforts continue in Venezuela to find the plane of Vittorio Missoni and his wife, which vanished off the coast of Venezuela on Friday.
Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.
Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.
With an introduction by Kenneth E. Silver, this limited-edition volume features a curated selection of Fernand Léger’s extraordinary works.
old brows are usually a Springtime favorite, a touch of mild masculinity paired with glowing feminine skin is a duo that is a classic heart stopper that never goes out of style.
Silence, a landscape photo series captured by Claire Droppert. This breathtaking project aims to express simplicity and minimalism and was shot around the world from locations such as Paxos, Greece and Montejaque, Spain.
Fendi has offered its financial assistance to restore five fountains around the city of Rome, starting with the Trevi Fountain.
The Selby’s continuous journey which explores homes & studios around the world have finally paid a visit to Louboutin’s home and studio in Paris, France.
Inspired by the Brauhaus school of design, Iceberg’s fall 2013 collection employed black as its canvas with accents of reds, yellows, and blues adorning the simple yet beautifully tailored garments.
Art Director, Creative Director, Artist, Designer, Illustrator, Photographer and conceptual thinker Brock Davis had put together a collection of his favorite iPhone photos from 2012.
The North Borders is a long stride forward – both a natural evolution and a continuation of the electronic palette of Black Sands.
Beginning in May, MCA Denver presents a new exhibition and corresponding program series showcasing contemporary Mexican art and culture.
Once upon a time, Ulyana Sergeenko sent a fairy tale themed collection down the runway. The time? Her Spring 2013 couture collection. And the place was none other than Paris.
It’s been a big year for Christopher Kane. After becoming part of the PPR umbrella, he may have felt he had a lot to prove. And, boy did he. His fall 2013 ready-to-wear collection cut the muster.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
With the Spring season as his muse, Raf Simons delivers on his promise as a couturier at Dior and quiets his naysayers for good.
Danger reigned the Alexander McQueen Fall 2013 runway, with a display by Sarah Burton that was dripping in rigor and more than just a hint of madness.