Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
Danger reigned the Alexander McQueen Fall 2013 runway, with a display by Sarah Burton that was dripping in rigor and more than just a hint of madness.
Emporio Armani managed to create a not-so-future futuristic look Fall. Managing to strike an almost unfathomable mix of pragmatism with a hint of the future, the pieces utilize a mix of textures, sheens, and colors.
Don Oehl developed his illustrations through fashion, movement, shapes, and color—all with a wink.
Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
Earth tones ruled the runway for Fendi’s Fall outing in a massive turnaround from the futuristic vibe of its previous collection.
Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.
Louise Goldin wows the New York Fashion Week crowd, on this her sophomore showing on the other side of the pond.
Mocci’s work spans from illustration to graphic design. Her work is influenced by minimalism of black and white as well as the “chaotic beauty and mystery of the universe.”
Art as practiced by M/M (Paris) is a cumulative affair, spreading from medium to medium in a process of endless expansion.
The structured designs inspired by architect Santiago Calatrava from Carlos Campos Spring 2013 line continued in his fall collection with strong tailoring and slim fits.
Peter Philips, Creative Director of Chanel Makeup prepped skin with Hydra Beauty Serum Hydration Protection Radiance, bringing light to the skin; “Shine is beautiful for the summer,” Lagerfeld said.
A short video which focuses on the individuals that Scott Schuman photographs, rather than the photographer himself.
A personal series shot by Romain Laurent in February 2013 in the streets of New York City.
Having models slowly but deliberately make their way around and around to show off Lucio Castro’s primary color fueled collection.
Riccardo Tisci will continue his reign at Givenchy. Givenchy extended Tisci’s contract for another three years showing faith in the creative director’s vision, designs, and business plans.
From Säynätsalo Town hall in Finland to The Pierres Vives building in Montpellier, France. This is the ABC of Architects.
Another New York Fashion Week designer has decided not to show his collection in February.
The North Borders is a long stride forward – both a natural evolution and a continuation of the electronic palette of Black Sands.
A short film about Leonardo Da Costa, a lighthouse keeper stationed in Cabo Polonio, a remote cape in a stretch of Uruguayan coastline rich in shipwrecks and sunken treasures.
The work of Angel Olsen is entirely her own: a raw, glowing sound that stands out now just as much as it did in 2010.
In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.
With an introduction by Kenneth E. Silver, this limited-edition volume features a curated selection of Fernand Léger’s extraordinary works.
Burberry conjures up a very specific image, a classic, British image. Bailey’s job is to meld that image with something new—season in and season out.
If there were such a thing as musical soul mates, Mowgli Moon and Rocky Chance, of the LA-based group He Met Her, would fit the bill.