Cornelia Parker Named Artist for the Met Museum’s 2016 Roof Garden Commission

Cornelia Parker / Image courtesy of Frith Street Gallery

Cornelia Parker / Image courtesy of Frith Street Gallery

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that British artist Cornelia Parker has been selected to create a site-specific installation atop the Met’s Iris and B. Gerald Cantor Roof Garden. The installation will be on view from May through October 2016, and will be the fourth in a series of site-specific commissions for the outdoor space.

Mr. Campbell said, “The Roof Garden should always be a space that makes us think beyond its spectacular views. It is a unique source of inspiration for the artists who create site-specific works there, and I am excited to see what Cornelia Parker will create. Her work is remarkable for the ways in which she looks at things we think of as familiar, and up-ends our perception of them in the process.”

The exhibition is supported by Bloomberg Philanthropies with additional support is provided by Cynthia Hazen Polsky and Leon B. Polsky.

Sheena Wagstaff, the Museum’s Leonard A. Lauder Chairman of Modern and Contemporary Art said:

“In her large-scale installations, Cornelia opens our eyes to the special qualities—and sometimes darker significance—of familiar places and things we tend to overlook. Her insatiable curiosity often leads her into difficult cultural territories, but the results are never less than provocative and surprising. We look forward to sharing Cornelia’s site-specific installation and its unique take on an aspect of American architecture when the Roof Garden opens next spring.”

About the Artist
Cornelia Parker (born 1956, Cheshire, England) studied at the Gloucestershire College of Art and Design (1974-1975) and Wolverhampton Polytechnic (1975-1978), and received her MFA from Reading University in 1982. Parker lives and works in London. She is well known for her large-scale, often site-specific, installations. Her engagement with the fragility of existence and the transformation of materials is exemplified in two works: Cold Dark Matter (1991), a cartoon-like reconstruction of an exploded army shed, and Heart of Darkness (2004), the formal arrangement of charred remains from a forest fire. Parker has had numerous solo exhibitions, including a 2015 retrospective at the Whitworth Gallery in Manchester, The Whitechapel Gallery, The Modern Art Museum of Fort Worth, and the Serpentine Gallery. International exhibitions include the 2014 Gwangju Biennale, 2013 Venice Biennale, and 2008 Sydney Biennale. She was nominated for the Turner Prize in 1997. She is a Royal Academician and was appointed an Officer of the Order of the British Empire (OBE) in 2010. Parker’s work is included in many private and public collections around the world including the permanent collections of the Metropolitan Museum, Tate Gallery, Brooklyn Museum of Art, de Young Museum, Museum of Modern Art, Centre Pompidou, Victoria and Albert Museum, and Yale Center for British Art.

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