Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
For the first time in the fashion house’s short history, Maison Kitsuné proudly presented its women’s collection as the guest designers at Pitti W.
John Galliano won a small victory against Christian Dior in court. The Paris court system has agreed to hear his case against his termination from Dior rather than sending it to commercial court.
The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.
old brows are usually a Springtime favorite, a touch of mild masculinity paired with glowing feminine skin is a duo that is a classic heart stopper that never goes out of style.
Cushnie et Ochs cite pilgrims and the Salem witch trials as inspirations for their FW 2013 collection, but their signature provocation stayed wholly intact.
The ultimate full moon shot. Dean Potter walks a highline at Cathedral Peak as the sun sets and the moon rises.
Jil Sander’s second season back at her namesake brand had her turning back to the basics of simple lines and exquisite tailoring.
Barbarian’s “Medium Spirits”, a hazy toned with ’80s feel, filmed by the band themselves through an iPhone while on a trip around Southern California.
Shane Gabier and Chris Peters of Creatures of the Wind balance their whimsy and consumer-mindedness for fall, but it’s their folksy roots that win out.
Fashion can be fantastical and whimsical. These elements are some of the reasons why so many people are enthralled with it.
Paul Surridge serves up a Z Zegna collection of merry wanderers, risk-takers and romantics.
Ani Afshar brings her newest collection of striking hand-woven tapestries to the Hilton-Asmus Contemporary, entitled: “Woven Gardens, Casting Shadows.”
For her third haute couture show, Donatella Versace strikes an unprecedented chord: luxurious daywear – front and center.
Bernardo Rojo, Joseph Abboud’s still-fresh creative director gave the suits a rest and started the week off with a forward-thinking outerwear showcase.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.
The Ocean – where Saturday, Monday’s dramatic strings over minimal techno is paired with Julia’s poetry and haunting vocals – tells a dark, sublime tale off love lost.
Directed by filmmaker Dan Sully – who also created the video for the first album’s single ‘Come Closer’– this cinematic love letter to Liverpool offers a series of emotionally resonant vignettes shot in classic black and white.
Vampy, moody nails continued to show up in this season’s collections; dark elegance complimented simple refinement with a savage glamour worthy of long standing popularity.
The fall winter 2013 ready-to-wear collection was no different and did not disappoint. Innovative stylings and designs create a sense of wonderment, desire, and even lust.
Christopher Bailey brings back some much needed creative verve to his Burberry Prorsum men’s line.
Gregory Parkinson pulled a quick 180, leaving his signature taste for resplendent colors back in the studio to deliver a deep and moody Fall lineup.
Another New York Fashion Week designer has decided not to show his collection in February.
This Sunday at 11am EST, Bloginity’s own Alexander Patino will join Jay Strut and Bag Snob on an epic Google+ hangout with Paul Surridge, creative director of Z Zegna.