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Daniel Haim, Founder, Editor-in-Chief
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Good Reads


Latest Entries Monday, November 24th 2014

Fabien Castanier Gallery is proud to present All You Can Eat, solo exhibition by Tilt.

The North Borders is a long stride forward – both a natural evolution and a continuation of the electronic palette of Black Sands.

A short film about Leonardo Da Costa, a lighthouse keeper stationed in Cabo Polonio, a remote cape in a stretch of Uruguayan coastline rich in shipwrecks and sunken treasures.

For Fall, Patrik Ervell gave us equal measures of his Swedish and Californian self. In design parlance, it means he feels most at home designing outerwear, and he surely gave his gents some thrilling offers.

David A. Smith recently produced a wonderful turn-of-the-century, trade-card styled album cover for popular American singer/songwriter John Mayer.

Trends have a way of repeating themselves, and this collection seems to be a futuristic mod –perhaps what mod will look like in 2060 or 3060.

London-based Carmen Villain released her tempestuous debut album, Sleeper, last week on Smalltown Supersound.

This exaggeration in design is probably the most visually noticeable, but look more closely and you’ll see the detail. And oh the detail Valli does.

Portraits of Andy Warhol by Richard Avedon, August 20th, 1969. This artwork is currently on display at The Art Institute of Chicago.

Another New York Fashion Week designer has decided not to show his collection in February.

Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.

For the first time in the fashion house’s short history, Maison Kitsuné proudly presented its women’s collection as the guest designers at Pitti W.

A young, creative and very intelligent business-oriented gentleman. Founder & Editor-in-Chief of The GROUND Ryan Yoon discusses new and upcoming projects as he shares his personal views on the state of print media, life and inspiration.

Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.

Alexandre Herchcovitch takes us on a walk through his maternal, cosmic garden, but sidesteps his own innovation with an unfortunate taste for color.

Creativity was overflowing this season, and the usual spring corals were shelved in favor of mini works of art for each fingernail;

Shane Gabier and Chris Peters of Creatures of the Wind balance their whimsy and consumer-mindedness for fall, but it’s their folksy roots that win out.

Usually the words undone in fashion work as a semi-polite way to say unfinished, broken, or just no good, however Prada managed to turn it around and make undone chic and desirable.

Inspired by the Brauhaus school of design, Iceberg’s fall 2013 collection employed black as its canvas with accents of reds, yellows, and blues adorning the simple yet beautifully tailored garments.

The brand known for strutting statuesque male models down the runway in their briefs turned to its Italian roots and created a collection playing off the Catholicism of its home.

Emporio Armani managed to create a not-so-future futuristic look Fall. Managing to strike an almost unfathomable mix of pragmatism with a hint of the future, the pieces utilize a mix of textures, sheens, and colors.

Once upon a time, Ulyana Sergeenko sent a fairy tale themed collection down the runway. The time? Her Spring 2013 couture collection. And the place was none other than Paris.

Giovanna Randall serves up a particularly sweet morsel with Honor, during a gloom-laden New York Fashion Week.

SFMOMA will present an off-site exhibition throughout the downtown commercial core of Los Altos, a town located in the heart of Silicon Valley. Featured artists include Jeremy Blake, Spencer Finch, Charles Garoian, Christian Jankowski, Chris Johanson, Mike Mills, Kateřina Ŝedá, Alec Soth, and Jessica Stockholder.

A video designed and directed by Becky Sloan and Joseph Pelling, made up from over 1,000 separate plasticine collages all individually made by hand.