For weeks, people have been speculating, dissecting, and hypothesizing about the potential sale of Intermix to Gap. Well folks, it happened.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.
Jose Guizar has put together a new creative project titled “Windows of New York”, a weekly fix of an obsession that has been developed by the designer since he was put in our town.
Featuring the superb Katie Stelmanis of Austra, “Save Me” is the first single from Hervé’s forthcoming album, ‘The Art Of Disappearing’, out March 4th on Cheap Thrills.
Beginning in May, MCA Denver presents a new exhibition and corresponding program series showcasing contemporary Mexican art and culture.
Founded in Connecticut in 1975, Ghurka has served as a symbol of superior American leather craftsmanship for almost forty years.
Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.
In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.
The Selby’s continuous journey which explores homes & studios around the world have finally paid a visit to Louboutin’s home and studio in Paris, France.
Barbarian’s “Medium Spirits”, a hazy toned with ’80s feel, filmed by the band themselves through an iPhone while on a trip around Southern California.
For the first time in the fashion house’s short history, Maison Kitsuné proudly presented its women’s collection as the guest designers at Pitti W.
Silence, a landscape photo series captured by Claire Droppert. This breathtaking project aims to express simplicity and minimalism and was shot around the world from locations such as Paxos, Greece and Montejaque, Spain.
“Fame”-themed online auction to feature works by Avedon, Basquiat, Colen, Guyton, LaChapelle, Lowman, Phillips, Prince, Warhol and others
The Kenzo man evolves into something a bit more serious, a bit more high-fashion, at this year’s Pitti Uomo.
A stunning fashion story photographed by Matthieu Belin, originally published in LIFE Magazine.
Following a hugely successful year, J.W. Anderson presents a menswear collection that’s bound to have some in raptures, so in dismay.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
We all knew her in high school.. the girl who seemed to be on the wrong side of the tracks. A rebel. The “wild child.” She skipped class often, but when she was there we couldn’t take our eyes off of her.
old brows are usually a Springtime favorite, a touch of mild masculinity paired with glowing feminine skin is a duo that is a classic heart stopper that never goes out of style.
It’s hard to pinpoint the best words to describe the collection. It had touches of athletic wear, mixes of downtown cool, and even an almost Amish accessory.
Giles manages to somehow combine all three into a beautiful showing of flowy Edwardian gowns mixed with elements of the darker side of fashion.
Sending us on a Turkish adventure, Armani styled and designed dresses to be worn over pants with prints and patterns that seemed perfect for perusing a market in Istanbul.
Fabien Castanier Gallery is proud to present All You Can Eat, solo exhibition by Tilt.
This exaggeration in design is probably the most visually noticeable, but look more closely and you’ll see the detail. And oh the detail Valli does.
Street-style photographer Roza Sinaysky went wondering throughout the streets of Paris to document some of the outstanding moments in Fashion Week.