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Daniel Haim, Founder, Editor-in-Chief
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Good Reads


Latest Entries Tuesday, September 1st 2015

Emporio Armani managed to create a not-so-future futuristic look Fall. Managing to strike an almost unfathomable mix of pragmatism with a hint of the future, the pieces utilize a mix of textures, sheens, and colors.

The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.

Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.

This is the long-overdue interview with the man behind The Orphanage Music, a musician, an artist and a true pioneer.

Dolce & Gabbana sent bloomers down the runway, but that wasn’t the most shocking moment of their fall winter 2013 ready-to-wear collection. The awe-inspiring moment goes to the finale when a gaggle of models dressed in red storm the runway.

Mocci’s work spans from illustration to graphic design. Her work is influenced by minimalism of black and white as well as the “chaotic beauty and mystery of the universe.”

Beginning in May, MCA Denver presents a new exhibition and corresponding program series showcasing contemporary Mexican art and culture.

The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.

Did someone order sugary sweet  couture? If so, Alexis Mabille delivered.As his first year showing with the haute couture appellate, Mabille celebrated like a kid in a candy store.

Louise Goldin wows the New York Fashion Week crowd, on this her sophomore showing on the other side of the pond.

A closer look at Jens Ullrich, a Berlin-based artist, best recognized for his gatherings of old newspaper that turn into abstract compositions.

In typical Jean Paul Gaultier fashion, the designer went against the trend of the couture lines to have shown.

In 1996 Visionaire published its ‘Fashion Special’, and it sold out within weeks.

Another New York Fashion Week designer has decided not to show his collection in February.

Creativity was overflowing this season, and the usual spring corals were shelved in favor of mini works of art for each fingernail;

If a picture is worth a thousand words, then you’ve just read 11,000 of them. A novella of sorts. This story has to count for more, once you see how Corrado Dalco perfectly captures the vibrant Ilaria Pozzi. It’s difficult to focus.

Trends have a way of repeating themselves, and this collection seems to be a futuristic mod –perhaps what mod will look like in 2060 or 3060.

A short video which focuses on the individuals that Scott Schuman photographs, rather than the photographer himself.

From Säynätsalo Town hall in Finland to The Pierres Vives building in Montpellier, France. This is the ABC of Architects.

Menswear can be very tricky. Walking a fine line of pushing the design creatively enough while still remaining functional enough to make people want to buy and wear the clothes.

Miuccia Prada revealed four of her sketches from Baz Luhrmann’s adaptation of The Great Gatsby. Luhrmann and Prada wanted to create a world that seemed slightly familiar yet foreign as well.

Street-style photographer Roza Sinaysky went wondering throughout the streets of Paris to document some of the outstanding moments in Fashion Week.

Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.

Shane Gabier and Chris Peters of Creatures of the Wind balance their whimsy and consumer-mindedness for fall, but it’s their folksy roots that win out.

Having models slowly but deliberately make their way around and around to show off Lucio Castro’s primary color fueled collection.