Behati Prinsloo advises wearing flats when busy so you can “run with a broken leg”.
Collaborating with Revlon for the show, Revlon Global Artistic Director Gucci Westman stuck to subtle beauty. “I wanted to create a look that was bold, but still looked soft and natural,” says Westman.
We are all pressed for time and, as a makeup artist, the number one question I am asked by my clients is how to get out the door looking flawless yet natural… in ten minutes. Well, even though it sounds like an impossible feat, it is not
House S is located in a quiet residential area in a center of Tokyo.
Aptly named “Batteries Not Included,” Nichole Miller’s spring vision is what you’d call “relaxed chic,” a youthful sophistication with an urban edge. “While designing my Spring 2013 collection, I was inspired by sci-fi 80s movies.
A fashion spread by Teck Lim
Michael Kors teams up with DJ, model, and styler Alexandra Richards for the second edition of “Kors Collaborations”
The enthusiasm of this young and ambitious New Yorker is undeniable.
Makeup artist Diane Kendal always delivers superb artistry when executing each runway look, and this was no exception. Makeup was simple, a sporty-chic compliment to a hard-edged, streamlined collection.
Photographer Karina Lidia shoots this fashion editorial titled Fair Play. Styled by Kieran Partise, these images depict a sultry, provocative, “behind closed doors” look at a privileged lifestyle.
Vivienne Westwood Red Label this season was by far one of the favorite beauty looks of the week, although not quite as ready to wear as the collection itself, definitely bold and interesting to watch as each face told the story of an Andy Warhol painting come to life.
This beauty editorial, titled Whispering Shades, was shot for Volt Magazine by Rui Faria. Starring the gorgeous Sophie Pumfrett, with styling by Cynthia Lawrence-John.
Makeup show dates are here. Make sure to mark them down and get there!
John Galliano is reportedly planning to move to America so his partner can become a stylist.
With Tisci’s help, Couture has its bite back, and pre-fall–usually a collection of basics used by retailers to freshen up the floor–is now a veritable space for new, interesting and bold design.
Iconoclasm and recalcitrance have always been staple tenets of the male Simons mode. First look out, those motifs weren’t announced so much by the tangled gutter punk hair, but by those parallel slits that hit way above the knee on a pair of black tailored shorts.
To make things more interesting, the Sperry team asked that we coordinate our looks according to four given themes: ‘Tea Time’, ‘Tour Around Town’, ‘Wimbledon Whites’ and ‘Olympic Games’.
Mary Katrantzou hasn’t got enough time to create resort collections.
Elie Saab opened its first store in Switzerland. The free-standing boutique is located in Geneva, at the heart of one its most prestigious luxury shopping districts, on the Quai Général Guisan.
This editorial was originally published in February 2012, photographed by Yves Borgwardt for High Snobiety this photo shoot captures our good friend Rick Genest.
Kate and Laura Mulleavy of Rodarte are on a roll. After a serene spring 2012 collection inspired by Van Gogh’s sunflower oils, a spot designing costumes for 2011’s psychological thriller Black Swan, and a successful collaboration with international hip boutique Opening Ceremony, the Mulleavy sisters are busier than ever.
The luxury womenswear brand has taken on the former Aquascutum design director after the label went into administration earlier this year. Joanna will start her role at Farhi in September with her first collection set for Fall/Winter 13.
It seems as if mega mass-retailer H&M has done it again. Bouncing back from an incredibly successful capsule collection designed by Consuelo Castiglioni, creative director of Marni, Margareta van den Bosch, creative advisor at H&M, has confirmed that the next high-low collaboration will feature none other than high-concept house Maison Martin Margiela
With all they have to celebrate, how apropos is a ‘Greatest Hits’ collection at this point? It may not have been intentional, but Proenza Schouler’s latest collection, all its mighty bravura aside, came across as self-referential at times, despite McCollough and Hernandez’s insistence on internet ‘randomness’ as their guiding trope for the season.
The collections in Europe have made it exceptionally difficult to focus on the clothes. Not because there’s lackluster design by any means—Paris and Milan have definitely delivered the goods—but because some of Fashion’s most influential houses are in a state of limbo.