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Daniel Haim, Founder, Editor-in-Chief
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Latest Entries Monday, August 31st 2015

Sending us on a Turkish adventure, Armani styled and designed dresses to be worn over pants with prints and patterns that seemed perfect for perusing a market in Istanbul.

The show must go, even under sad and tragic circumstances. Missoni knows this to its core and put on a show despite Vittorio Missoni’s disappearance.

The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.

A young, creative and very intelligent business-oriented gentleman. Founder & Editor-in-Chief of The GROUND Ryan Yoon discusses new and upcoming projects as he shares his personal views on the state of print media, life and inspiration.

Riccardo Tisci will continue his reign at Givenchy. Givenchy extended Tisci’s contract for another three years showing faith in the creative director’s vision, designs, and business plans.

For Fall, Patrik Ervell gave us equal measures of his Swedish and Californian self. In design parlance, it means he feels most at home designing outerwear, and he surely gave his gents some thrilling offers.

Mocci’s work spans from illustration to graphic design. Her work is influenced by minimalism of black and white as well as the “chaotic beauty and mystery of the universe.”

Dutch artist Theo Jansen specializes in building large mechanisms out of PVC that are able to move on their own, known as “Strandbeest.”

John Galliano won a small victory against Christian Dior in court. The Paris court system has agreed to hear his case against his termination from Dior rather than sending it to commercial court.

In less than a week Rehs Contemporary Galleries will open its doors to premiere “THE BIG GAMBLE”, a gallery exhibition featuring talents from the Ani Art Academies.

Jil Sander’s second season back at her namesake brand had her turning back to the basics of simple lines and exquisite tailoring.

Unveiling look after look, the inspiration of Gucci’s fall 2013 ready-to-wear collection was clear.

Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.

Over the years Marsel has created the most extensive & quite popular night photography portfolio of Namibia, and just about two years ago he decided it was time to take it up a notch.

In this weeks artist spotlight we focus on Canadian graphic designer & illustrator Amanda Mocci.

Shane Gabier and Chris Peters of Creatures of the Wind balance their whimsy and consumer-mindedness for fall, but it’s their folksy roots that win out.

Earth tones ruled the runway for Fendi’s Fall outing in a massive turnaround from the futuristic vibe of its previous collection.

Portraits of Andy Warhol by Richard Avedon, August 20th, 1969. This artwork is currently on display at The Art Institute of Chicago.

Hedi Slimane curated this highly collectible book of admiration to the city of light for Visionaire’s ‘Paris‘ edition in 2001.

Cacharel cancelled their February runway show at Paris Fashion Week. Having announced a brand repositioning in November 2012, the news isn’t too shocking.

The weather may not have been in Marc Jacob’s favor, but that didn’t stop him from mounting what would be New York Fashion Week’s piece de resistance.

A video designed and directed by Becky Sloan and Joseph Pelling, made up from over 1,000 separate plasticine collages all individually made by hand.

This exaggeration in design is probably the most visually noticeable, but look more closely and you’ll see the detail. And oh the detail Valli does.

Historically the only rival to royal families in opulence could be the ecclesial world of yesteryear, which is what Burton used as inspiration for the Alexander McQueen ready-to-wear fall 2013 collection.

Emporio Armani managed to create a not-so-future futuristic look Fall. Managing to strike an almost unfathomable mix of pragmatism with a hint of the future, the pieces utilize a mix of textures, sheens, and colors.