In early 2013, Wolfgang Laib’s Pollen from Hazelnut will inhabit the Museum’s Donald B. and Catherine C. Marron Atrium, infusing the space with a yellow luminosity.

Bastille Metal Works, a premier manufacturer of custom cast zinc and pewter counter tops, range hoods, and furnishings, have created an ornately unique table inspired by the Telfair Museum of Art, the South’s first public art museum.

Regen Projects is pleased to announce a solo exhibition of new works by Elizabeth Peyton. For her sixth show with the gallery, Peyton will show paintings, works on paper, and prints (etching and monotypes).

From the museum that brought visitors the very first interactive multimedia gallery tour back in 2001 comes a new way to explore modern and contemporary art.

The MoMA presents its first time-based artists retrospective with Kraftwerk-Retrospective 1 2 3 4 5 6 7 8, performed live on eight consecutive evenings from April 10 through 17, by Kraftwerk, the avant-garde electronic music pioneers.

Parra’s witty, often raunchy work captures attention with its vibrant color, curvaceous lines, and eccentric, distinctive imagery. The largely self-taught artist began his illustration and design career drawing flyers and posters for music venues in Amsterdam in the 1990s;

Ecstatic Alphabets/Heaps of Language is a group exhibition that brings together 12 contemporary artists and artists’ groups working in all mediums including painting, sculpture, film, video, audio, and design, all of whom concentrate on the material qualities of language—visual, aural, and beyond.

Amongst the most common and enduring definitions of design is “problem-solving.” An issue arises.

In a collaborative, chance-based drawing game known as the exquisite corpse, Surrealist artists subjected the human body to distortions and juxtapositions that resulted in fantastic composite figures.

This exhibition, covering the period from 1910 to today, offers a critical reassessment of photography’s role in the avant-garde and neo-avant-garde movements—with a special emphasis on the medium’s relation to Dada, Bauhaus, Surrealism, Constructivism, New Objectivity, Conceptual, and post-Conceptual art—and in the development of contemporary artistic practices.

James Rosenquist designed the eighty-six-foot-long F-111 to wrap around the four walls of the Leo Castelli Gallery, at 4 East Seventy-Seventh Street in Manhattan.

In 1942 Architectural Forum magazine commissioned a group of architects to design projects for a hypothetical postwar American city, rethinking both urban community life and the relationship between architecture and urban planning.

Simon’s project A Living Man Declared Dead and Other Chapters locates the photographic medium’s capacity to at once probe complex narratives in contemporary politics and to organize this material in classification processes characteristic of the archive, a system that connects identity, lineage, history, and memory.

In 1929, art historian Paul J. Sachs presented George Grosz’s Anna Peter (1926–27) to the newly founded Museum of Modern Art, making it the first drawing to enter the collection.

Reinstalled to continue the historical sequence found on MoMA’s fifth (1880–1940) and fourth (1940–1980) floors, the galleries on the second floor will begin with art of the early 1980s and extend to the present moment, interweaving works in all mediums.

Composed of short Super 8 films (transferred to video) that the artist shot over several years, Chronicles eschews narrative in favor of fragmented images that probe the nature of time and assert the permeability of memory.

From the mid-1950s through the 1960s, Tokyo transformed itself from the capital of a war-torn nation into an international center for arts, culture, and commerce, becoming home to some of the most important art being made at the time.

Cindy Sherman is widely recognized as one of the most important and influential artists in contemporary art.

The Metropolitan Museum of Art announced today that it is collaborating with Google to allow users to search the Web via pictures they take on their mobile phones, to increase access to information online about its encyclopedic collections.

The Alfred H. Barr Painting and Sculpture Galleries feature an historical sequence of works from MoMA’s collection, primarily from the Painting and Sculpture Department.

This exhibition presents six fresh and highly focused cross sections through the career of master photographer Eugène Atget (French, 1857–1927), drawn exclusively from the Museum’s unparalleled holdings of his work. The sign outside Atget’s studio read, “Documents pour artistes,”—declaring his modest ambition to create images for other artists to use as source material. This humility [...]

Many of Modernism’s great artists name the Greek 16th Century painter El Greco as a major source of inspiration and fascination, including Cezanne, van Gogh, Picasso, Delauney, Macke, and Marc. About 100 works by them and other modernist painters will be juxtaposed with 40 of El Greco’s original works from major international collections, including New York’s Museum of Modern Art (MoMA) and Metropolitan Museum of Art at Museum Kunstpalast from April 28 – August 12, 2012.

A feminist, activist, and video pioneer, Iveković came of age in the early 1970s during the period known as the Croatian Spring, when artists broke free from mainstream institutional settings, laying the ground for a form of praxis antipodal to official art.

The first exhibition to consider Buckminster Fuller’s Bay Area design legacy, this presentation will feature 65 of some of Fuller’s most iconic projects alongside those by local designers inspired by his oeuvre.

The first major museum exhibition to focus on themes of gender and sexuality in modern American portraiture, HIDE/SEEK: Difference and Desire in American Portraiture brings together more than one hundred works in a wide range of media, including paintings, photographs, works on paper, film, and installation art.