Using the “opulence of Indochina” as his inspiration, Peter Dundas takes us on a journey of Asian eloquence with delicate dragon and tiger embroideries, kimono jackets, and plunging cheongsams revealing bare backs of the adventurous wearer.
The international jet setter made her debut on the Gucci runway this week, complete with monochromatic pantsuits and accessories for the 70′s Italian glam fashionista.
The return of Jil Sander to her eponymous line after an eight year high-fashion hiatus is one of the industry’s most noted, talked about stories.
What has happened to Dolce & Gabbana? They’re officially gridlocked in a campy nostalgia, in a kitschy bucolic loop that looks to be inescapable. A year ago they hit upon something big, a special way of doing things. You can pick out the same notes in last Spring’s show, to last Fall’s foray to this latest collection for Spring ’13.
There was definitely a younger, more carefree side of the Versace woman this season, a generous step away from the dark deviant we saw last season. This was the type of bohemian girl that parties at Coachella and takes movie worthy, cross-country road trips with her girlfriends, evanescent and free.
Marni’s Consuelo Castiglioni decided that this was the season to turn that cushiony notion right on its head. Marni is a label brimming with supposed givens. Marni means color, print, fabulous jewelry – it means leather and fur. Turns out, not so much. Well, at least not this season, anyway.
Giles Deacon shows us a tougher side of spring with his new black and white collection this season. Leather laser cut dresses and silk photo prints were playful, but still sexy revealing bare skin underneath graphic cut outs.
Although the collection was very different, the same playful, quirky spirit could be seen in the presentation, which was held at London’s Claridges Ballroom and transformed into an English country garden with pastel-colored garden gnomes and wheelbarrows dotted around, accompanied by lush floral hangings.
Vivienne Westwood Red Label this season was by far one of the favorite beauty looks of the week, although not quite as ready to wear as the collection itself, definitely bold and interesting to watch as each face told the story of an Andy Warhol painting come to life.
There was a warmth and luminosity to the skin; the brand’s new Fresh Glow Foundation was used and dotted with its anticipated Illuminator. Cheeks were softly contoured, and powder skipped to keep the dewy effect.
1940s glamor reigned at the Burberry Prorsum catwalk today. Christopher Bailey looked to capes and corsets to tap into that zenith of Brit elegance and he did so by turning out pieces you wouldn’t necessarily envision belonging to the Burberry house upon first glance.
After the explosive success of Versace for H&M and the welcome return to couture form with Atelier Versace, it appears Donatella’s newfound creative impetus has staked fertile ground in the ready-to-wear line, making for a fresh and spirited Versace girl, but one whose inherent carnality is always close at hand.
Tomas Maier’s collections at Bottega Veneta get better and better with every passing season. What he delivered for Spring must be his most considered, worked-over, strategically conceived and luxurious clothes to date.
We caught up with Rick Genest by telephone in Zurich, Switzerland, and talked with the notorious Zombie Boy during the wee hours of the morning about his fame, his fortune, and his future.
Ethereal faces were simple, but made a statement; makeup artist Lucia Pieroni took up the challenge of transforming Kane’s creations into something strange and elegant. Pieroni prepped the skin with NARSskin Optimal Brightening Concentrate, Pre Prime Skin Prep, and the new Radiant Creamy Concealer for a glow that was otherworldly.
Pat McGrath created an image of “a passionate woman [this season] and you can’t get more passionate than red.” Skin was immaculate and lightly highlighted through the center of the face, while eyes were simple using a neutral brown to contour and a white frosty shadow to line the lids.
From December 1, 2012, through March 3, 2013, the San Francisco Museum of Modern Art (SFMOMA) will present South Africa in Apartheid and After: David Goldblatt, Ernest Cole, Billy Monk, featuring work by three photographers that illuminates a rich and diverse photographic tradition as well as a vital, difficult, and contested period in the history of South Africa.
That strange sensation in the pit of your stomach before a Prada show is very natural. It’s called anticipation. Every spring and fall, for at least 8 minutes, the fashion world comes to a halt and pays attention to what Prada and crew have to deliver for the season.
In contemporary fashion, there are few pleasures as satisfying as following Brit designer Christopher Kane from Point A to Point B. While his pieces are almost always certainly ‘pretty’, they happen to be interesting enough to be equally ‘lugubrious’.[gallery]
Selfridges finally launches its Beauty Workshop, a perfect fusion of the top trend driven brands in the world along with the ultimate opportunity to try them all in one posh place.
We sit down with fashion designer Jan Taminiau just a few days after his show in Paris to chat with ease on his life, his views on gossips and his collections.
A “modern medieval” princess stalked the runway this season at Rodarte, adventurously taking inspiration from the fantasies of role playing games to create an image of the ultimate warrior.
Marc Jacobs has an idiosyncratic way of looking at women with a spontaneity and fearlessness that pushes boundaries that may not necessarily be everyone’s taste, but still fascinating in execution. His spring 2013 collection was exquisite, a dreamlike nod to the 60′s;
Lazaro Hernandez and Jack McCollough reinvent the idea of the “cool” girl every season at Proenza Schouler, and this one birthed the computer manufactured, high def heroine that is both ambitious and energetic decked out in a collage of abstract images said to be found from Tumblr.
With all they have to celebrate, how apropos is a ‘Greatest Hits’ collection at this point? It may not have been intentional, but Proenza Schouler’s latest collection, all its mighty bravura aside, came across as self-referential at times, despite McCollough and Hernandez’s insistence on internet ‘randomness’ as their guiding trope for the season.