Legends, statements, and stars. At least that’s what Roberto Cavalli envisioned for his spring 2012 campaign, featuring iconic faces Naomi Campbell, Karen Elson, Kristen McMenamy and Daphne Groeneveld.
Giorgio Armani continues his commitment to help countries such as Ghana and Bolivia with his Acqua for Life project and his support of Green Cross International, which focus on bringing clean drinking water where it is scarce or unavailable, as well as help schooling.
The designer’s collection Miss Wu will launch in January 2013 but he’s happy to talk about it already. It’s aimed at a different consumer to his main line and is also cheaper. To ensure it looked different too, the designer decided to employ a totally new team.
Michael is renowned for using flamboyant language to critique the creations the hopefuls come up with and Heidi has insisted his speech isn’t put on.
Brazilian sensation Céu announces her North American summer tour in support of her new travel-inspired record, Caravana Sereia Bloom which debuted at #1 on the iTunes Brazilian Chart.
A black and white portrait editorial photographed by Christopher Hench staring both Aris and Beck from Fusion NYC.
The fashion world is a competitive sport where the key to success lies in the ability to turn vision into reality, one that is not only unique, but inspiring.
50 Years of the CFDA is the first museum exhibition to celebrate the quintessentially American artistry of the leading fashion trade organization in the United States.
After an impressive 13-piece menswear collection for spring 2012, London-based color master Jonathan Saunders is making the move to Milan.
A “modern medieval” princess stalked the runway this season at Rodarte, adventurously taking inspiration from the fantasies of role playing games to create an image of the ultimate warrior.
Texas-based multi-instrumentalist John Dulfilho is responsible for a lot of great music, whether as founder of The Deathray Davies and I Love Math or as drummer with psych-pop Elephant 6 collective Apples in Stereo.
When applying concealer the object is to hide imperfections with the most minimal amount of product and blend into the surrounding skin.
The British Fashion Council announced yesterday the shortlist of designers for the BFC/Vogue Designer Fashion Fund – and it’s pretty good company to be in.
The Mongolian feel was opulent and redolent, a narrative of an evolution of style collected through travel. Makeup artist Tom Pechuex created a makeup look with geometric eyeliner, strengthened with a pop of silver on the inner corners on fresh, radiant skin.
A collection of drawings from Violeta Hernández’s sketch book.
This fairy-tale inspired fashion editorial was photographed by Alice Luker at West Green House Garden. The images follow a Snow-White inspired narrative, with gorgeous styling from Lauren Miller.
Michael Kors teams up with DJ, model, and styler Alexandra Richards for the second edition of “Kors Collaborations”
A collection of urban-styled images, photographed by Alan Chan and starring Emma from Richard’s Models Management. Emma is dressed by Patricia Lagmay in a range of street-style looks.
It’s not surprising that various art forms excite us more than ordinary office jobs. This is why Alejandro Medina traded in a finance specialist job for a career in music. He wanted to make sure that he was capable of creating music and developing a sound of his own. He met his goal, becoming the solo artist best known as Lexo The Great.
There was a very strong eye; Pat McGrath created something “very manga” layering an orange greasepaint over blocked-out arches and sweeping a black greasepaint through the crease and up toward the brow bone. Upper and lower lash lines were then rimmed with alternating strokes of black and purple pencil.
John Pearson appreciated words of encouragement from Prada’s chief menswear designer before he took the catwalk for the first time in over a decade at the weekend.
The MoMA PS1 is determined to examine new architectural possibilities for American cities and suburbs in the context of the recent foreclosure crisis in the United Stated.
Simon’s project A Living Man Declared Dead and Other Chapters locates the photographic medium’s capacity to at once probe complex narratives in contemporary politics and to organize this material in classification processes characteristic of the archive, a system that connects identity, lineage, history, and memory.
The show opened in a palette of solid black, which made each piece in the first section of the show about texture, fabric choice, and silhouette.