Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
The work of Angel Olsen is entirely her own: a raw, glowing sound that stands out now just as much as it did in 2010.
Defining designers of the 20th and 21st centuries and their most remarkable works.
Versace men’s ready-to-wear collection may as well have just been called the show with the lingerie for men.
Historically the only rival to royal families in opulence could be the ecclesial world of yesteryear, which is what Burton used as inspiration for the Alexander McQueen ready-to-wear fall 2013 collection.
Peter Philips, Creative Director of Chanel Makeup prepped skin with Hydra Beauty Serum Hydration Protection Radiance, bringing light to the skin; “Shine is beautiful for the summer,” Lagerfeld said.
In less than a week Rehs Contemporary Galleries will open its doors to premiere “THE BIG GAMBLE”, a gallery exhibition featuring talents from the Ani Art Academies.
Riccardo Tisci will continue his reign at Givenchy. Givenchy extended Tisci’s contract for another three years showing faith in the creative director’s vision, designs, and business plans.
For Fall, Patrik Ervell gave us equal measures of his Swedish and Californian self. In design parlance, it means he feels most at home designing outerwear, and he surely gave his gents some thrilling offers.
The brand known for strutting statuesque male models down the runway in their briefs turned to its Italian roots and created a collection playing off the Catholicism of its home.
Danger reigned the Alexander McQueen Fall 2013 runway, with a display by Sarah Burton that was dripping in rigor and more than just a hint of madness.
Barbarian’s “Medium Spirits”, a hazy toned with ’80s feel, filmed by the band themselves through an iPhone while on a trip around Southern California.
The structured designs inspired by architect Santiago Calatrava from Carlos Campos Spring 2013 line continued in his fall collection with strong tailoring and slim fits.
Paul Surridge serves up a Z Zegna collection of merry wanderers, risk-takers and romantics.
Miuccia Prada revealed four of her sketches from Baz Luhrmann’s adaptation of The Great Gatsby. Luhrmann and Prada wanted to create a world that seemed slightly familiar yet foreign as well.
The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.
Art as practiced by M/M (Paris) is a cumulative affair, spreading from medium to medium in a process of endless expansion.
Bernardo Rojo, Joseph Abboud’s still-fresh creative director gave the suits a rest and started the week off with a forward-thinking outerwear showcase.
A short film about Leonardo Da Costa, a lighthouse keeper stationed in Cabo Polonio, a remote cape in a stretch of Uruguayan coastline rich in shipwrecks and sunken treasures.
Giles manages to somehow combine all three into a beautiful showing of flowy Edwardian gowns mixed with elements of the darker side of fashion.
Vampy, moody nails continued to show up in this season’s collections; dark elegance complimented simple refinement with a savage glamour worthy of long standing popularity.
Cacharel cancelled their February runway show at Paris Fashion Week. Having announced a brand repositioning in November 2012, the news isn’t too shocking.
The highly anticipated opening of Rehs Contemporary Galleries’ exhibit, “The BIG Gamble,” was beyond imagination.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
The icons of the New York Skyline will soon have a new companion. Located on Park Avenue between 56th and 57th streets, 432 Park Avenue will be the tallest residential tower in the Western Hempishere upon its completion in 2015.