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Daniel Haim, Founder, Editor-in-Chief
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Good Reads


Latest Entries Saturday, May 23rd 2015

A short film about Leonardo Da Costa, a lighthouse keeper stationed in Cabo Polonio, a remote cape in a stretch of Uruguayan coastline rich in shipwrecks and sunken treasures.

Jean Paul Gaultier created a re-edition line featuring some of his favorite and most iconic pieces from over the years. His pre-fall 2013 designs feature “classic” pieces that have been updated to make them more wearable and workable.

If a picture is worth a thousand words, then you’ve just read 11,000 of them. A novella of sorts. This story has to count for more, once you see how Corrado Dalco perfectly captures the vibrant Ilaria Pozzi. It’s difficult to focus.

Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.

For the first time in the fashion house’s short history, Maison Kitsuné proudly presented its women’s collection as the guest designers at Pitti W.

With the Spring season as his muse, Raf Simons delivers on his promise as a couturier at Dior and quiets his naysayers for good.

Founded in Connecticut in 1975, Ghurka has served as a symbol of superior American leather craftsmanship for almost forty years.

SFMoMA’s art auction to feature work by Jasper Johns, Gerhard Ritcher, Cindy Sherman, Andy Warhol, and other major artists.

The Kenzo man evolves into something a bit more serious, a bit more high-fashion, at this year’s Pitti Uomo.

Sending us on a Turkish adventure, Armani styled and designed dresses to be worn over pants with prints and patterns that seemed perfect for perusing a market in Istanbul.

The structured designs inspired by architect Santiago Calatrava from Carlos Campos Spring 2013 line continued in his fall collection with strong tailoring and slim fits.

Burberry conjures up a very specific image, a classic, British image. Bailey’s job is to meld that image with something new—season in and season out.

In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.

Louise Goldin wows the New York Fashion Week crowd, on this her sophomore showing on the other side of the pond.

Generator, Northern Film & Media and Ross Anderson (Dustfarm Films, represented by J6 Films) teamed up with Young Turks and XL Recordings for ‘Transmission’ to present the stunning new music video for SBTKT’s ‘Trials of the Past’.

The work of Angel Olsen is entirely her own: a raw, glowing sound that stands out now just as much as it did in 2010.

Fashion can be fantastical and whimsical. These elements are some of the reasons why so many people are enthralled with it.

With an introduction by Kenneth E. Silver, this limited-edition volume features a curated selection of Fernand Léger’s extraordinary works.

Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.

Hal Lasko, better known as Grandpa, worked as a graphic artist back when everything was done by hand. His family introduced him to the computer and Microsoft Paint long after he retired.

The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.

Dutch artist Theo Jansen specializes in building large mechanisms out of PVC that are able to move on their own, known as “Strandbeest.”

Following a hugely successful year, J.W. Anderson presents a menswear collection that’s bound to have some in raptures, so in dismay.

In the past twenty years, design has branched out in new directions, galvanizing young practitioners, sparking novel business models, and attracting worldwide attention.

Some say Black Magic is evil, something lurking in the dark. If that’s true you’ll take one look at our Black Magic woman and beg to be swept under her dismal current.