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Archive Thursday, March 22nd 2018
Douglas Kirkland was born in Toronto Canada. He joined Look Magazine in his early twenties, and later Life Magazine during the golden age of 60’s/70’s photojournalism.
Regen Projects is pleased to announce a solo exhibition of new works by Elizabeth Peyton. For her sixth show with the gallery, Peyton will show paintings, works on paper, and prints (etching and monotypes).
Giorgio Armani continues his commitment to help countries such as Ghana and Bolivia with his Acqua for Life project and his support of Green Cross International, which focus on bringing clean drinking water where it is scarce or unavailable, as well as help schooling.
Tom Ford announces the launch of a special edition optical eyewear collection
The collections in Europe have made it exceptionally difficult to focus on the clothes. Not because there’s lackluster design by any means—Paris and Milan have definitely delivered the goods—but because some of Fashion’s most influential houses are in a state of limbo.
Amusement and disgust intermingle in her work with the cumulative effect something like a handcrafted Theater of Cruelty, put on in a suburban backyard, by a girl who most of the kids aren’t allowed to play with.
I read about an amazing new camera created from the award winning thesis of a Stanford University supergeek. A photographer who was testing an early prototype compared the resolution to his other point and shoot cameras, but the Lytro was something that never needed to be focused.
When you think about fashion trends you think of those readily available abstractions, such as minimalism, color-blocking, peplums, etc.
For fall 2012 Gareth Pugh took the term “man eater” to the next level. Set on a stage of black fabric discs fallen from the ceiling to resemble the debris on the ground of a post-apocalyptic Amazonian village, Pugh’s models were fearless cannibals, satiated by male flesh.
Anna Higgie’s fascinating journey into illustration began at an art schools in Australia. Today it continues – Anna is living a creative life in Bristol. While asked about fashion, she answers that it’s one of the most interesting forms of art which inspires her to express herself artistically and is frequently reflected in her work. Work that lets her particular kind of magic to come alive.
Domenico Dolce and Stefano Gabbana turned down the kitsch factor ten-fold with this collection, and set out to design a functional and fabulous wardrobe for the “renaissance” woman. Literally.
Angela Missoni knows texture. She’s sustained a house on that foundation. For fall 2012 she brought things back to nature, but with an expressionist twist.
Lavinia Postolache photographed by Kyle Goldie against the striking backdrop of the Hollywood hills.
If a fashion stint is to be measured by Shakespearean terms, an exit after his much lauded spring collection, with the envisioning of the Jil Sander bride, would’ve qualified as a departure steeped in the Logos – departing with order intact.
The Versace for H&M runway soundtrack featured a repeating track of Donatella Versace’s new-found house maxim: “My house, my rules, my pleasure.”
The Mongolian feel was opulent and redolent, a narrative of an evolution of style collected through travel. Makeup artist Tom Pechuex created a makeup look with geometric eyeliner, strengthened with a pop of silver on the inner corners on fresh, radiant skin.
Attention electronic music lovers! We got a chance to talk to charismatic french electro master Yuksek. With two studio albums under his belt, Yuksek’s name is synonymous with incredible, improvised live performances.
From the museum that brought visitors the very first interactive multimedia gallery tour back in 2001 comes a new way to explore modern and contemporary art.
There was a very strong eye; Pat McGrath created something “very manga” layering an orange greasepaint over blocked-out arches and sweeping a black greasepaint through the crease and up toward the brow bone. Upper and lower lash lines were then rimmed with alternating strokes of black and purple pencil.
Pat McGrath creates a really beautiful dark lip paired with perfected skin and bleached brows, mimicking textures in the deep velvets of the clothing. “It’s a little Rossetti,” McGrath continued, referring to the elegantly stained lips of his portraits.
It was a veritable layers-fest. No dress came down without a pair of tailored black flares with encrusted hems underneath.
The house of Gucci is one of those rare high-end luxe brands whose menswear far, far outdoes its womenswear season in, season out – at least that has been the case under the direction of Frida Giannini.
The Academy of Motion Picture Arts and Sciences has acquired a pair of the iconic ruby slippers from “The Wizard of Oz” for the Academy Museum of Motion Pictures.
Christopher Bailey’s “The Gentlemen”, his Fall 2012 menswear collection, gives way to his feminine exploration of the ultimate English sartorial crossroads – the haute interminglings at the corner of “Town and Field”.