Lavinia Postolache photographed by Kyle Goldie against the striking backdrop of the Hollywood hills.
Peter Copping asked photographers Inez & Vinoodh to direct a short film, expressing their vision of the Nina Ricci Spring/Summer 2012 woman.
If a fashion stint is to be measured by Shakespearean terms, an exit after his much lauded spring collection, with the envisioning of the Jil Sander bride, would’ve qualified as a departure steeped in the Logos – departing with order intact.
The Versace for H&M runway soundtrack featured a repeating track of Donatella Versace’s new-found house maxim: “My house, my rules, my pleasure.”
The Mongolian feel was opulent and redolent, a narrative of an evolution of style collected through travel. Makeup artist Tom Pechuex created a makeup look with geometric eyeliner, strengthened with a pop of silver on the inner corners on fresh, radiant skin.
Attention electronic music lovers! We got a chance to talk to charismatic french electro master Yuksek. With two studio albums under his belt, Yuksek’s name is synonymous with incredible, improvised live performances.
From the museum that brought visitors the very first interactive multimedia gallery tour back in 2001 comes a new way to explore modern and contemporary art.
There was a very strong eye; Pat McGrath created something “very manga” layering an orange greasepaint over blocked-out arches and sweeping a black greasepaint through the crease and up toward the brow bone. Upper and lower lash lines were then rimmed with alternating strokes of black and purple pencil.
Pat McGrath creates a really beautiful dark lip paired with perfected skin and bleached brows, mimicking textures in the deep velvets of the clothing. “It’s a little Rossetti,” McGrath continued, referring to the elegantly stained lips of his portraits.
It was a veritable layers-fest. No dress came down without a pair of tailored black flares with encrusted hems underneath.
The house of Gucci is one of those rare high-end luxe brands whose menswear far, far outdoes its womenswear season in, season out – at least that has been the case under the direction of Frida Giannini.
The Academy of Motion Picture Arts and Sciences has acquired a pair of the iconic ruby slippers from “The Wizard of Oz” for the Academy Museum of Motion Pictures.
Christopher Bailey’s “The Gentlemen”, his Fall 2012 menswear collection, gives way to his feminine exploration of the ultimate English sartorial crossroads – the haute interminglings at the corner of “Town and Field”.
Fashion and celluloid make for the perfect marriage. The two have gone hand in hand since time immemorial it seems. But every season, there’s that one seemingly random film that serves as the source material and inspiration behind a collection.
The Mara Hoffman Fall 2012 show was stunning and Makeup Forever Alliance artist Lottie was the key.
Makeup artist James Kaliardos created an unbelievable look for this season’s Diane Von Furstenberg’s runway show.
Edun collection for Fall 2012 was absolutely gorgeous. But, the makeup that MAC makeup artist Yadim turned out was bananas.
M.A.C. artist Diane Kendal is consistently phenomenal and Tommy Hilfiger AU/WI 2012 was no different. She called the look “Country meet city. Equestrian lifestyle, sporty and elite” and it looked stunning.
You cannot get more creative and beautiful and inspirational than M.A.C artist Kabuki. It was such a pleasure to see Kabuki’s work on Zac Posen’s runway.
Makeup artist Diane Kendal said her inspiration for Alexander Wang was “The sculpted Alexander Wang girl… Tough chick.”
Charlotte Tilbury brought color, creativity and a serious eye to this amazing runway show. Her inspiration? As simple but complicated as “a bird’s feather.”
Fall 2012 found the inexhaustible Betsey Johnson in solid form.
The gold cinched waist was the trend of the night at the 54th Grammy Awards, and the next morning Carlos Miele sent out a collection that in its own way, acknowledged the zeitgeist-celebritae with similar touches.
Making vintage-boheme a thing of luxury has been Gregory Parkinson’s calling card for years.
Nothing was what it seemed at Alexander Wang’s Fall 2012 show. The materials he used were the most customized and luxe he has ever employed.