Riccardo Tisci will continue his reign at Givenchy. Givenchy extended Tisci’s contract for another three years showing faith in the creative director’s vision, designs, and business plans.
From Säynätsalo Town hall in Finland to The Pierres Vives building in Montpellier, France. This is the ABC of Architects.
The ultimate full moon shot. Dean Potter walks a highline at Cathedral Peak as the sun sets and the moon rises.
For her third haute couture show, Donatella Versace strikes an unprecedented chord: luxurious daywear – front and center.
Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.
Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.
The fall winter 2013 ready-to-wear collection was no different and did not disappoint. Innovative stylings and designs create a sense of wonderment, desire, and even lust.
Featuring the superb Katie Stelmanis of Austra, “Save Me” is the first single from Hervé’s forthcoming album, ‘The Art Of Disappearing’, out March 4th on Cheap Thrills.
Sometimes an inspiration takes a hold of one’s creativity and adds blinders to one’s vision. This inspiration can easily incept one’s mind.
Following a hugely successful year, J.W. Anderson presents a menswear collection that’s bound to have some in raptures, so in dismay.
Cacharel cancelled their February runway show at Paris Fashion Week. Having announced a brand repositioning in November 2012, the news isn’t too shocking.
The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.
Sending us on a Turkish adventure, Armani styled and designed dresses to be worn over pants with prints and patterns that seemed perfect for perusing a market in Istanbul.
In typical Jean Paul Gaultier fashion, the designer went against the trend of the couture lines to have shown.
The Kenzo man evolves into something a bit more serious, a bit more high-fashion, at this year’s Pitti Uomo.
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.
A massive illuminated globe, with the CC logos shining on all of the store locations across the world, sat in the center of the catwalk and visually highlighted the force that Chanel is.
This Sunday at 11am EST, Bloginity’s own Alexander Patino will join Jay Strut and Bag Snob on an epic Google+ hangout with Paul Surridge, creative director of Z Zegna.
Louise Goldin wows the New York Fashion Week crowd, on this her sophomore showing on the other side of the pond.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.
Menswear can be very tricky. Walking a fine line of pushing the design creatively enough while still remaining functional enough to make people want to buy and wear the clothes.
Portraits of Andy Warhol by Richard Avedon, August 20th, 1969. This artwork is currently on display at The Art Institute of Chicago.
This exaggeration in design is probably the most visually noticeable, but look more closely and you’ll see the detail. And oh the detail Valli does.
In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.