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Daniel Haim, Founder, Editor-in-Chief
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Good Reads


Latest Entries Tuesday, April 21st 2015

Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.

SFMOMA will present an off-site exhibition throughout the downtown commercial core of Los Altos, a town located in the heart of Silicon Valley. Featured artists include Jeremy Blake, Spencer Finch, Charles Garoian, Christian Jankowski, Chris Johanson, Mike Mills, Kateřina Ŝedá, Alec Soth, and Jessica Stockholder.

Another New York Fashion Week designer has decided not to show his collection in February.

Vampy, moody nails continued to show up in this season’s collections; dark elegance complimented simple refinement with a savage glamour worthy of long standing popularity.

We all knew her in high school.. the girl who seemed to be on the wrong side of the tracks. A rebel. The “wild child.” She skipped class often, but when she was there we couldn’t take our eyes off of her.

Rescue efforts continue in Venezuela to find the plane of Vittorio Missoni and his wife, which vanished off the coast of Venezuela on Friday.

A video designed and directed by Becky Sloan and Joseph Pelling, made up from over 1,000 separate plasticine collages all individually made by hand.

A young, creative and very intelligent business-oriented gentleman. Founder & Editor-in-Chief of The GROUND Ryan Yoon discusses new and upcoming projects as he shares his personal views on the state of print media, life and inspiration.

Espionage inspiration is kind of a funny one. For a career that wants you to blend in, fashion designers who use the spy world as inspiration sure make it difficult.

Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.

Explore New York City through Carsten Witte’s lens: a stunning set showcasing the architectural photographs taken by Carsten Witte of New York City.

The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.

Having models slowly but deliberately make their way around and around to show off Lucio Castro’s primary color fueled collection.

Jil Sander’s second season back at her namesake brand had her turning back to the basics of simple lines and exquisite tailoring.

Giles manages to somehow combine all three into a beautiful showing of flowy Edwardian gowns mixed with elements of the darker side of fashion.

If a picture is worth a thousand words, then you’ve just read 11,000 of them. A novella of sorts. This story has to count for more, once you see how Corrado Dalco perfectly captures the vibrant Ilaria Pozzi. It’s difficult to focus.

Art as practiced by M/M (Paris) is a cumulative affair, spreading from medium to medium in a process of endless expansion.

Don Oehl developed his illustrations through fashion, movement, shapes, and color—all with a wink.

Dolce & Gabbana sent bloomers down the runway, but that wasn’t the most shocking moment of their fall winter 2013 ready-to-wear collection. The awe-inspiring moment goes to the finale when a gaggle of models dressed in red storm the runway.

A short video which focuses on the individuals that Scott Schuman photographs, rather than the photographer himself.

In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.

In typical Jean Paul Gaultier fashion, the designer went against the trend of the couture lines to have shown.

Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.

Join the biggest names in fashion for a behind the scenes look at New York Fashion Week. Discuss the latest trends with industry leaders.

A closer look at Jens Ullrich, a Berlin-based artist, best recognized for his gatherings of old newspaper that turn into abstract compositions.