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Daniel Haim, Founder, Editor-in-Chief
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Latest Entries Wednesday, October 22nd 2014

The dream of owning a piece of Oscar de la Renta just became closer to becoming a reality.

The highly anticipated opening of Rehs Contemporary Galleries’ exhibit, “The BIG Gamble,” was beyond imagination.

A young, creative and very intelligent business-oriented gentleman. Founder & Editor-in-Chief of The GROUND Ryan Yoon discusses new and upcoming projects as he shares his personal views on the state of print media, life and inspiration.

The icons of the New York Skyline will soon have a new companion. Located on Park Avenue between 56th and 57th streets, 432 Park Avenue will be the tallest residential tower in the Western Hempishere upon its completion in 2015.

Miuccia Prada revealed four of her sketches from Baz Luhrmann’s adaptation of The Great Gatsby. Luhrmann and Prada wanted to create a world that seemed slightly familiar yet foreign as well.

Burberry Prorsum Fall Winter 2013 collection includes built-in RFID chips, or in a more fashionable way “Smart Personalization.”

old brows are usually a Springtime favorite, a touch of mild masculinity paired with glowing feminine skin is a duo that is a classic heart stopper that never goes out of style.

In less than a week Rehs Contemporary Galleries will open its doors to premiere “THE BIG GAMBLE”, a gallery exhibition featuring talents from the Ani Art Academies.

Featuring the superb Katie Stelmanis of Austra, “Save Me” is the first single from Hervé’s forthcoming album, ‘The Art Of Disappearing’, out March 4th on Cheap Thrills.

Espionage inspiration is kind of a funny one. For a career that wants you to blend in, fashion designers who use the spy world as inspiration sure make it difficult.

The Central Saint Martins graduate drew on the grunge look and at times had us wondering if he had magically brought the members of Nirvana back together and back to life.

The work of Angel Olsen is entirely her own: a raw, glowing sound that stands out now just as much as it did in 2010.

Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.

Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.

Peter Philips, Creative Director of Chanel Makeup prepped skin with Hydra Beauty Serum Hydration Protection Radiance, bringing light to the skin; “Shine is beautiful for the summer,” Lagerfeld said.

Italian illustrator Rubens Cantuni takes us on a trip of a lifetime, into the world of Tokyo Candies.

Emporio Armani managed to create a not-so-future futuristic look Fall. Managing to strike an almost unfathomable mix of pragmatism with a hint of the future, the pieces utilize a mix of textures, sheens, and colors.

Nordic prints and textured fabrics create Custo Barcelona’s Beauty and the Beast inspired collection.

Giovanna Randall serves up a particularly sweet morsel with Honor, during a gloom-laden New York Fashion Week.

Having models slowly but deliberately make their way around and around to show off Lucio Castro’s primary color fueled collection.

Marni finds the right mix of school boy elegance and athletic accents. Boyish charm sums up Marni’s Ready-to-Wear collection for fall 2013.

Dead Poets Society goes to the drive-in in Christopher Kane’s latest ghoulish menswear collection.

Dutch artist Theo Jansen specializes in building large mechanisms out of PVC that are able to move on their own, known as “Strandbeest.”

Silence, a landscape photo series captured by Claire Droppert. This breathtaking project aims to express simplicity and minimalism and was shot around the world from locations such as Paxos, Greece and Montejaque, Spain.

Generator, Northern Film & Media and Ross Anderson (Dustfarm Films, represented by J6 Films) teamed up with Young Turks and XL Recordings for ‘Transmission’ to present the stunning new music video for SBTKT’s ‘Trials of the Past’.