Emporio Armani managed to create a not-so-future futuristic look Fall. Managing to strike an almost unfathomable mix of pragmatism with a hint of the future, the pieces utilize a mix of textures, sheens, and colors.
In the least shocking news of the month, PPR announces the purchase of a majority stake of Christopher Kane
Following a hugely successful year, J.W. Anderson presents a menswear collection that’s bound to have some in raptures, so in dismay.
Marc Jacobs makes his film & acting debut in the upcoming dramatic thriller, Disconnect.
With an introduction by Kenneth E. Silver, this limited-edition volume features a curated selection of Fernand Léger’s extraordinary works.
Sending us on a Turkish adventure, Armani styled and designed dresses to be worn over pants with prints and patterns that seemed perfect for perusing a market in Istanbul.
The brand known for strutting statuesque male models down the runway in their briefs turned to its Italian roots and created a collection playing off the Catholicism of its home.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.
London-based Carmen Villain released her tempestuous debut album, Sleeper, last week on Smalltown Supersound.
Having models slowly but deliberately make their way around and around to show off Lucio Castro’s primary color fueled collection.
Did someone order sugary sweet couture? If so, Alexis Mabille delivered.As his first year showing with the haute couture appellate, Mabille celebrated like a kid in a candy store.
Beginning in May, MCA Denver presents a new exhibition and corresponding program series showcasing contemporary Mexican art and culture.
The book tells a fascinating story in this lavishly illustrated, slipcase volume, revealing the artistic, social, and historical events that created and surrounded the incredible artistic flowering of the now mythical Montparnasse neighborhood.
With the Spring season as his muse, Raf Simons delivers on his promise as a couturier at Dior and quiets his naysayers for good.
Vampy, moody nails continued to show up in this season’s collections; dark elegance complimented simple refinement with a savage glamour worthy of long standing popularity.
Dear Stranger (1998-2000) is a highly self-conscious study in photographic voyeurism.
Paris based fashion illustrator Caroline Andrieu publishes a new series entitled ‘Spring 2013 Couture’ illustrating the familiar faces off the Spring 2013 Couture runway shows including Lindsey Wixson, Ruby Jean Wilson and Roberta Narciso for Prada as well as many others.
Jil Sander’s second season back at her namesake brand had her turning back to the basics of simple lines and exquisite tailoring.
The show must go, even under sad and tragic circumstances. Missoni knows this to its core and put on a show despite Vittorio Missoni’s disappearance.
Versace men’s ready-to-wear collection may as well have just been called the show with the lingerie for men.
A young, creative and very intelligent business-oriented gentleman. Founder & Editor-in-Chief of The GROUND Ryan Yoon discusses new and upcoming projects as he shares his personal views on the state of print media, life and inspiration.
Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.
Some say Black Magic is evil, something lurking in the dark. If that’s true you’ll take one look at our Black Magic woman and beg to be swept under her dismal current.
The fall winter 2013 ready-to-wear collection was no different and did not disappoint. Innovative stylings and designs create a sense of wonderment, desire, and even lust.
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.