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Daniel Haim, Founder, Editor-in-Chief
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Good Reads


Latest Entries Friday, October 31st 2014

Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.

Some say Black Magic is evil, something lurking in the dark. If that’s true you’ll take one look at our Black Magic woman and beg to be swept under her dismal current.

The Selby’s continuous journey which explores homes & studios around the world have finally paid a visit to Louboutin’s home and studio in Paris, France.

In 1996 Visionaire published its ‘Fashion Special’, and it sold out within weeks.

Creativity was overflowing this season, and the usual spring corals were shelved in favor of mini works of art for each fingernail;

A personal series shot by Romain Laurent in February 2013 in the streets of New York City.

Bernardo Rojo, Joseph Abboud’s still-fresh creative director gave the suits a rest and started the week off with a forward-thinking outerwear showcase.

John Galliano won a small victory against Christian Dior in court. The Paris court system has agreed to hear his case against his termination from Dior rather than sending it to commercial court.

This is the long-overdue interview with the man behind The Orphanage Music, a musician, an artist and a true pioneer.

Nordic prints and textured fabrics create Custo Barcelona’s Beauty and the Beast inspired collection.

It’s been a big year for Christopher Kane. After becoming part of the PPR umbrella, he may have felt he had a lot to prove. And, boy did he. His fall 2013 ready-to-wear collection cut the muster.

In this weeks artist spotlight we focus on Canadian graphic designer & illustrator Amanda Mocci.

Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.

A video designed and directed by Becky Sloan and Joseph Pelling, made up from over 1,000 separate plasticine collages all individually made by hand.

The work of Angel Olsen is entirely her own: a raw, glowing sound that stands out now just as much as it did in 2010.

Vampy, moody nails continued to show up in this season’s collections; dark elegance complimented simple refinement with a savage glamour worthy of long standing popularity.

The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.

The show must go, even under sad and tragic circumstances. Missoni knows this to its core and put on a show despite Vittorio Missoni’s disappearance.

Giovanna Randall serves up a particularly sweet morsel with Honor, during a gloom-laden New York Fashion Week.

For her third haute couture show, Donatella Versace strikes an unprecedented chord: luxurious daywear – front and center.

Silence, a landscape photo series captured by Claire Droppert. This breathtaking project aims to express simplicity and minimalism and was shot around the world from locations such as Paxos, Greece and Montejaque, Spain.

A massive illuminated globe, with the CC logos shining on all of the store locations across the world, sat in the center of the catwalk and visually highlighted the force that Chanel is.

The fall winter 2013 ready-to-wear collection was no different and did not disappoint. Innovative stylings and designs create a sense of wonderment, desire, and even lust.

In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.

Art as practiced by M/M (Paris) is a cumulative affair, spreading from medium to medium in a process of endless expansion.