Inspired by the Brauhaus school of design, Iceberg’s fall 2013 collection employed black as its canvas with accents of reds, yellows, and blues adorning the simple yet beautifully tailored garments.
Menswear can be very tricky. Walking a fine line of pushing the design creatively enough while still remaining functional enough to make people want to buy and wear the clothes.
Creating a narrative through the collection, Topman Design showcased their fashions through the evolving nature of one’s global journey.
Mocci’s work spans from illustration to graphic design. Her work is influenced by minimalism of black and white as well as the “chaotic beauty and mystery of the universe.”
London-based Carmen Villain released her tempestuous debut album, Sleeper, last week on Smalltown Supersound.
Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
The Ocean – where Saturday, Monday’s dramatic strings over minimal techno is paired with Julia’s poetry and haunting vocals – tells a dark, sublime tale off love lost.
Earth tones ruled the runway for Fendi’s Fall outing in a massive turnaround from the futuristic vibe of its previous collection.
Art as practiced by M/M (Paris) is a cumulative affair, spreading from medium to medium in a process of endless expansion.
A personal series shot by Romain Laurent in February 2013 in the streets of New York City.
Usually the words undone in fashion work as a semi-polite way to say unfinished, broken, or just no good, however Prada managed to turn it around and make undone chic and desirable.
Louise Goldin wows the New York Fashion Week crowd, on this her sophomore showing on the other side of the pond.
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.
Giorgio Armani shows his take on the athletic trend sweeping the runway.
In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.
A stunning fashion story photographed by Matthieu Belin, originally published in LIFE Magazine.
The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.
Peter Philips, Creative Director of Chanel Makeup prepped skin with Hydra Beauty Serum Hydration Protection Radiance, bringing light to the skin; “Shine is beautiful for the summer,” Lagerfeld said.
A closer look at Jens Ullrich, a Berlin-based artist, best recognized for his gatherings of old newspaper that turn into abstract compositions.
Paris based fashion illustrator Caroline Andrieu publishes a new series entitled ‘Spring 2013 Couture’ illustrating the familiar faces off the Spring 2013 Couture runway shows including Lindsey Wixson, Ruby Jean Wilson and Roberta Narciso for Prada as well as many others.
Sending us on a Turkish adventure, Armani styled and designed dresses to be worn over pants with prints and patterns that seemed perfect for perusing a market in Istanbul.
Versace men’s ready-to-wear collection may as well have just been called the show with the lingerie for men.
Street-style photographer Roza Sinaysky went wondering throughout the streets of Paris to document some of the outstanding moments in Fashion Week.
Marc by Marc Jacobs gives the week the shake-up it needed with a much appreciated bolt of fun, light-hearted energy.