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Daniel Haim, Founder, Editor-in-Chief
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Latest Entries Sunday, November 23rd 2014

Another New York Fashion Week designer has decided not to show his collection in February.

The brand known for strutting statuesque male models down the runway in their briefs turned to its Italian roots and created a collection playing off the Catholicism of its home.

The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.

Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.

Italian illustrator Rubens Cantuni takes us on a trip of a lifetime, into the world of Tokyo Candies.

Historically the only rival to royal families in opulence could be the ecclesial world of yesteryear, which is what Burton used as inspiration for the Alexander McQueen ready-to-wear fall 2013 collection.

Jean Paul Gaultier created a re-edition line featuring some of his favorite and most iconic pieces from over the years. His pre-fall 2013 designs feature “classic” pieces that have been updated to make them more wearable and workable.

Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.

Paul Surridge serves up a Z Zegna collection of merry wanderers, risk-takers and romantics.

A short video which focuses on the individuals that Scott Schuman photographs, rather than the photographer himself.

The icons of the New York Skyline will soon have a new companion. Located on Park Avenue between 56th and 57th streets, 432 Park Avenue will be the tallest residential tower in the Western Hempishere upon its completion in 2015.

Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.

Explore New York City through Carsten Witte’s lens: a stunning set showcasing the architectural photographs taken by Carsten Witte of New York City.

Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.

If a picture is worth a thousand words, then you’ve just read 11,000 of them. A novella of sorts. This story has to count for more, once you see how Corrado Dalco perfectly captures the vibrant Ilaria Pozzi. It’s difficult to focus.

Giles manages to somehow combine all three into a beautiful showing of flowy Edwardian gowns mixed with elements of the darker side of fashion.

The Kenzo man evolves into something a bit more serious, a bit more high-fashion, at this year’s Pitti Uomo.

In this weeks artist spotlight we focus on Canadian graphic designer & illustrator Amanda Mocci.

A young, creative and very intelligent business-oriented gentleman. Founder & Editor-in-Chief of The GROUND Ryan Yoon discusses new and upcoming projects as he shares his personal views on the state of print media, life and inspiration.

If there were such a thing as musical soul mates, Mowgli Moon and Rocky Chance, of the LA-based group He Met Her, would fit the bill.

Alexandre Herchcovitch takes us on a walk through his maternal, cosmic garden, but sidesteps his own innovation with an unfortunate taste for color.

In typical Jean Paul Gaultier fashion, the designer went against the trend of the couture lines to have shown.

A massive illuminated globe, with the CC logos shining on all of the store locations across the world, sat in the center of the catwalk and visually highlighted the force that Chanel is.

Burberry conjures up a very specific image, a classic, British image. Bailey’s job is to meld that image with something new—season in and season out.

For her third haute couture show, Donatella Versace strikes an unprecedented chord: luxurious daywear – front and center.