Historically the only rival to royal families in opulence could be the ecclesial world of yesteryear, which is what Burton used as inspiration for the Alexander McQueen ready-to-wear fall 2013 collection.
Inspired by the Brauhaus school of design, Iceberg’s fall 2013 collection employed black as its canvas with accents of reds, yellows, and blues adorning the simple yet beautifully tailored garments.
A creative collaboration between beatboxer WanDan and Kayalight Studios. This film has been screened at The Small Film Festival and the London Short Film Festival, and is now getting great hype over at Vimeo.
Don Oehl developed his illustrations through fashion, movement, shapes, and color—all with a wink.
Jil Sander’s second season back at her namesake brand had her turning back to the basics of simple lines and exquisite tailoring.
A massive illuminated globe, with the CC logos shining on all of the store locations across the world, sat in the center of the catwalk and visually highlighted the force that Chanel is.
With a new full-length rocktronica album scheduled for release in March 2013, new DJ music coming and an official remix of the The Doors – Waiting For The Sun, the group plans to have a very busy upcoming year.
Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.
Louise Goldin wows the New York Fashion Week crowd, on this her sophomore showing on the other side of the pond.
Beginning in May, MCA Denver presents a new exhibition and corresponding program series showcasing contemporary Mexican art and culture.
Explore New York City through Carsten Witte’s lens: a stunning set showcasing the architectural photographs taken by Carsten Witte of New York City.
Dear Stranger (1998-2000) is a highly self-conscious study in photographic voyeurism.
Marc by Marc Jacobs gives the week the shake-up it needed with a much appreciated bolt of fun, light-hearted energy.
Paul Surridge serves up a Z Zegna collection of merry wanderers, risk-takers and romantics.
Versace men’s ready-to-wear collection may as well have just been called the show with the lingerie for men.
The weather may not have been in Marc Jacob’s favor, but that didn’t stop him from mounting what would be New York Fashion Week’s piece de resistance.
Directed by filmmaker Dan Sully – who also created the video for the first album’s single ‘Come Closer’– this cinematic love letter to Liverpool offers a series of emotionally resonant vignettes shot in classic black and white.
Mocci’s work spans from illustration to graphic design. Her work is influenced by minimalism of black and white as well as the “chaotic beauty and mystery of the universe.”
The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.
Following a hugely successful year, J.W. Anderson presents a menswear collection that’s bound to have some in raptures, so in dismay.
Giles manages to somehow combine all three into a beautiful showing of flowy Edwardian gowns mixed with elements of the darker side of fashion.
Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.
In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.
Paris based fashion illustrator Caroline Andrieu publishes a new series entitled ‘Spring 2013 Couture’ illustrating the familiar faces off the Spring 2013 Couture runway shows including Lindsey Wixson, Ruby Jean Wilson and Roberta Narciso for Prada as well as many others.