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Daniel Haim, Founder, Editor-in-Chief
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Latest Entries Friday, May 29th 2015

Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.

Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.

Bernardo Rojo, Joseph Abboud’s still-fresh creative director gave the suits a rest and started the week off with a forward-thinking outerwear showcase.

Did someone order sugary sweet  couture? If so, Alexis Mabille delivered.As his first year showing with the haute couture appellate, Mabille celebrated like a kid in a candy store.

“Fame”-themed online auction to feature works by Avedon, Basquiat, Colen, Guyton, LaChapelle, Lowman, Phillips, Prince, Warhol and others

The brand known for strutting statuesque male models down the runway in their briefs turned to its Italian roots and created a collection playing off the Catholicism of its home.

Marni finds the right mix of school boy elegance and athletic accents. Boyish charm sums up Marni’s Ready-to-Wear collection for fall 2013.

In typical Jean Paul Gaultier fashion, the designer went against the trend of the couture lines to have shown.

Hedi Slimane curated this highly collectible book of admiration to the city of light for Visionaire’s ‘Paris‘ edition in 2001.

Historically the only rival to royal families in opulence could be the ecclesial world of yesteryear, which is what Burton used as inspiration for the Alexander McQueen ready-to-wear fall 2013 collection.

Cushnie et Ochs cite pilgrims and the Salem witch trials as inspirations for their FW 2013 collection, but their signature provocation stayed wholly intact.

Burberry conjures up a very specific image, a classic, British image. Bailey’s job is to meld that image with something new—season in and season out.

From Säynätsalo Town hall in Finland to The Pierres Vives building in Montpellier, France. This is the ABC of Architects.

The weather may not have been in Marc Jacob’s favor, but that didn’t stop him from mounting what would be New York Fashion Week’s piece de resistance.

Portraits of Andy Warhol by Richard Avedon, August 20th, 1969. This artwork is currently on display at The Art Institute of Chicago.

Inspired by the Brauhaus school of design, Iceberg’s fall 2013 collection employed black as its canvas with accents of reds, yellows, and blues adorning the simple yet beautifully tailored garments.

Paul Surridge serves up a Z Zegna collection of merry wanderers, risk-takers and romantics.

Paris based fashion illustrator Caroline Andrieu publishes a new series entitled ‘Spring 2013 Couture’ illustrating the familiar faces off the Spring 2013 Couture runway shows including Lindsey Wixson, Ruby Jean Wilson and Roberta Narciso for Prada as well as many others.

In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.

In the past twenty years, design has branched out in new directions, galvanizing young practitioners, sparking novel business models, and attracting worldwide attention.

Shane Gabier and Chris Peters of Creatures of the Wind balance their whimsy and consumer-mindedness for fall, but it’s their folksy roots that win out.

For her third haute couture show, Donatella Versace strikes an unprecedented chord: luxurious daywear – front and center.

The Selby’s continuous journey which explores homes & studios around the world have finally paid a visit to Louboutin’s home and studio in Paris, France.

Silence, a landscape photo series captured by Claire Droppert. This breathtaking project aims to express simplicity and minimalism and was shot around the world from locations such as Paxos, Greece and Montejaque, Spain.

Marc by Marc Jacobs gives the week the shake-up it needed with a much appreciated bolt of fun, light-hearted energy.