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Daniel Haim, Founder, Editor-in-Chief
Bloginity Team Bloginity
Good Reads


Latest Entries Monday, April 27th 2015

Shane Gabier and Chris Peters of Creatures of the Wind balance their whimsy and consumer-mindedness for fall, but it’s their folksy roots that win out.

Jean Paul Gaultier created a re-edition line featuring some of his favorite and most iconic pieces from over the years. His pre-fall 2013 designs feature “classic” pieces that have been updated to make them more wearable and workable.

Paris based fashion illustrator Caroline Andrieu publishes a new series entitled ‘Spring 2013 Couture’ illustrating the familiar faces off the Spring 2013 Couture runway shows including Lindsey Wixson, Ruby Jean Wilson and Roberta Narciso for Prada as well as many others.

Generator, Northern Film & Media and Ross Anderson (Dustfarm Films, represented by J6 Films) teamed up with Young Turks and XL Recordings for ‘Transmission’ to present the stunning new music video for SBTKT’s ‘Trials of the Past’.

Giles manages to somehow combine all three into a beautiful showing of flowy Edwardian gowns mixed with elements of the darker side of fashion.

Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.

Hal Lasko, better known as Grandpa, worked as a graphic artist back when everything was done by hand. His family introduced him to the computer and Microsoft Paint long after he retired.

In typical Jean Paul Gaultier fashion, the designer went against the trend of the couture lines to have shown.

London-based Carmen Villain released her tempestuous debut album, Sleeper, last week on Smalltown Supersound.

David A. Smith recently produced a wonderful turn-of-the-century, trade-card styled album cover for popular American singer/songwriter John Mayer.

In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.

The weather may not have been in Marc Jacob’s favor, but that didn’t stop him from mounting what would be New York Fashion Week’s piece de resistance.

Earth tones ruled the runway for Fendi’s Fall outing in a massive turnaround from the futuristic vibe of its previous collection.

Dear Stranger (1998-2000) is a highly self-conscious study in photographic voyeurism.

Marni finds the right mix of school boy elegance and athletic accents. Boyish charm sums up Marni’s Ready-to-Wear collection for fall 2013.

With a new full-length rocktronica album scheduled for release in March 2013, new DJ music coming and an official remix of the The Doors – Waiting For The Sun, the group plans to have a very busy upcoming year.

The dream of owning a piece of Oscar de la Renta just became closer to becoming a reality.

Hedi Slimane curated this highly collectible book of admiration to the city of light for Visionaire’s ‘Paris‘ edition in 2001.

The 2013 fall winter ready-to-wear collection melded the downtown style Wang is most commonly described as with the classic shapes of the Balenciaga house.

The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.

Art Director, Creative Director, Artist, Designer, Illustrator, Photographer and conceptual thinker Brock Davis had put together a collection of his favorite iPhone photos from 2012.

It’s been a big year for Christopher Kane. After becoming part of the PPR umbrella, he may have felt he had a lot to prove. And, boy did he. His fall 2013 ready-to-wear collection cut the muster.

Menswear can be very tricky. Walking a fine line of pushing the design creatively enough while still remaining functional enough to make people want to buy and wear the clothes.

old brows are usually a Springtime favorite, a touch of mild masculinity paired with glowing feminine skin is a duo that is a classic heart stopper that never goes out of style.

In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.