The 2013 fall winter ready-to-wear collection melded the downtown style Wang is most commonly described as with the classic shapes of the Balenciaga house.
This exaggeration in design is probably the most visually noticeable, but look more closely and you’ll see the detail. And oh the detail Valli does.
The weather may not have been in Marc Jacob’s favor, but that didn’t stop him from mounting what would be New York Fashion Week’s piece de resistance.
Fashion can be fantastical and whimsical. These elements are some of the reasons why so many people are enthralled with it.
Don Oehl developed his illustrations through fashion, movement, shapes, and color—all with a wink.
Ani Afshar brings her newest collection of striking hand-woven tapestries to the Hilton-Asmus Contemporary, entitled: “Woven Gardens, Casting Shadows.”
Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.
Creativity was overflowing this season, and the usual spring corals were shelved in favor of mini works of art for each fingernail;
Paris based fashion illustrator Caroline Andrieu publishes a new series entitled ‘Spring 2013 Couture’ illustrating the familiar faces off the Spring 2013 Couture runway shows including Lindsey Wixson, Ruby Jean Wilson and Roberta Narciso for Prada as well as many others.
Jil Sander’s second season back at her namesake brand had her turning back to the basics of simple lines and exquisite tailoring.
Espionage inspiration is kind of a funny one. For a career that wants you to blend in, fashion designers who use the spy world as inspiration sure make it difficult.
The ‘San Francisco’ video clip captures the kaleidoscopic and blurring world that the artist was forced to inhabit the week just before shooting it.
A closer look at Jens Ullrich, a Berlin-based artist, best recognized for his gatherings of old newspaper that turn into abstract compositions.
Emporio Armani managed to create a not-so-future futuristic look Fall. Managing to strike an almost unfathomable mix of pragmatism with a hint of the future, the pieces utilize a mix of textures, sheens, and colors.
Giovanna Randall serves up a particularly sweet morsel with Honor, during a gloom-laden New York Fashion Week.
This awesome illustrated and pretty educational activity book follows Gramps and Kiddo on an amazing journey through the history of graphic design.
Shane Gabier and Chris Peters of Creatures of the Wind balance their whimsy and consumer-mindedness for fall, but it’s their folksy roots that win out.
Barbarian’s “Medium Spirits”, a hazy toned with ’80s feel, filmed by the band themselves through an iPhone while on a trip around Southern California.
The brand known for strutting statuesque male models down the runway in their briefs turned to its Italian roots and created a collection playing off the Catholicism of its home.
Riccardo Tisci will continue his reign at Givenchy. Givenchy extended Tisci’s contract for another three years showing faith in the creative director’s vision, designs, and business plans.
Marni finds the right mix of school boy elegance and athletic accents. Boyish charm sums up Marni’s Ready-to-Wear collection for fall 2013.
Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.
Cacharel cancelled their February runway show at Paris Fashion Week. Having announced a brand repositioning in November 2012, the news isn’t too shocking.
“Fame”-themed online auction to feature works by Avedon, Basquiat, Colen, Guyton, LaChapelle, Lowman, Phillips, Prince, Warhol and others
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.