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Daniel Haim, Founder, Editor-in-Chief
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Latest Entries Sunday, July 5th 2015

Creativity was overflowing this season, and the usual spring corals were shelved in favor of mini works of art for each fingernail;

Inspired by the Brauhaus school of design, Iceberg’s fall 2013 collection employed black as its canvas with accents of reds, yellows, and blues adorning the simple yet beautifully tailored garments.

Giles manages to somehow combine all three into a beautiful showing of flowy Edwardian gowns mixed with elements of the darker side of fashion.

Versace Spring 2013 Couture Beauty Review; boldly boyish and futuristic details create a look that is bright and unapologetically sexy.

Riccardo Tisci will continue his reign at Givenchy. Givenchy extended Tisci’s contract for another three years showing faith in the creative director’s vision, designs, and business plans.

Marni finds the right mix of school boy elegance and athletic accents. Boyish charm sums up Marni’s Ready-to-Wear collection for fall 2013.

John Galliano won a small victory against Christian Dior in court. The Paris court system has agreed to hear his case against his termination from Dior rather than sending it to commercial court.

Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.

In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.

Giorgio Armani release its new advertising campaign for Spring/Summer 2013.

Versace men’s ready-to-wear collection may as well have just been called the show with the lingerie for men.

Dear Stranger (1998-2000) is a highly self-conscious study in photographic voyeurism.

London duo Pale are set to release their debut single “Too Much” through 37 Adventures; the second artist to come from this exciting new label.

Raf Simmons and Dior brought a touch of surrealism to the runway for its fall winter 2013 ready-to-wear collection.

Paul Surridge serves up a Z Zegna collection of merry wanderers, risk-takers and romantics.

For the first time in the fashion house’s short history, Maison Kitsuné proudly presented its women’s collection as the guest designers at Pitti W.

Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.

Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.

Gregory Parkinson pulled a quick 180, leaving his signature taste for resplendent colors back in the studio to deliver a deep and moody Fall lineup.

Defining designers of the 20th and 21st centuries and their most remarkable works.

The show must go, even under sad and tragic circumstances. Missoni knows this to its core and put on a show despite Vittorio Missoni’s disappearance.

Join the biggest names in fashion for a behind the scenes look at New York Fashion Week. Discuss the latest trends with industry leaders.

Alexandre Herchcovitch takes us on a walk through his maternal, cosmic garden, but sidesteps his own innovation with an unfortunate taste for color.

The work of Angel Olsen is entirely her own: a raw, glowing sound that stands out now just as much as it did in 2010.

The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.