Inspired by the Brauhaus school of design, Iceberg’s fall 2013 collection employed black as its canvas with accents of reds, yellows, and blues adorning the simple yet beautifully tailored garments.
The Kenzo man evolves into something a bit more serious, a bit more high-fashion, at this year’s Pitti Uomo.
Danger reigned the Alexander McQueen Fall 2013 runway, with a display by Sarah Burton that was dripping in rigor and more than just a hint of madness.
Peter Dundas had had enough. In Emilio Pucci’s fall 2013 ready-to-wear collection, blues, tans, and whites fluttered down the runway in a plethora of fabrics and textures soothing the malaise of winter.
The icons of the New York Skyline will soon have a new companion. Located on Park Avenue between 56th and 57th streets, 432 Park Avenue will be the tallest residential tower in the Western Hempishere upon its completion in 2015.
In less than a week Rehs Contemporary Galleries will open its doors to premiere “THE BIG GAMBLE”, a gallery exhibition featuring talents from the Ani Art Academies.
We all knew her in high school.. the girl who seemed to be on the wrong side of the tracks. A rebel. The “wild child.” She skipped class often, but when she was there we couldn’t take our eyes off of her.
In typical Moschino style, a juxtaposing collection went down the runway and worked beautifully. This year’s contrasting theme melded opulence with the everyday.
With the Spring season as his muse, Raf Simons delivers on his promise as a couturier at Dior and quiets his naysayers for good.
David A. Smith recently produced a wonderful turn-of-the-century, trade-card styled album cover for popular American singer/songwriter John Mayer.
A young, creative and very intelligent business-oriented gentleman. Founder & Editor-in-Chief of The GROUND Ryan Yoon discusses new and upcoming projects as he shares his personal views on the state of print media, life and inspiration.
Art Director, Creative Director, Artist, Designer, Illustrator, Photographer and conceptual thinker Brock Davis had put together a collection of his favorite iPhone photos from 2012.
Creativity was overflowing this season, and the usual spring corals were shelved in favor of mini works of art for each fingernail;
Bernardo Rojo, Joseph Abboud’s still-fresh creative director gave the suits a rest and started the week off with a forward-thinking outerwear showcase.
Hedi Slimane curated this highly collectible book of admiration to the city of light for Visionaire’s ‘Paris‘ edition in 2001.
Christopher Bailey brings back some much needed creative verve to his Burberry Prorsum men’s line.
Topshop unveils their collaborative partnership with Google+ and announce that they will be streaming their Fall/Winter 2013 show live via a Google+ Hangout.
A full lash is a rare sight on the runway, but this season’s full drama paved the way for flirty fringe that was adventurous and chic.
Some say Black Magic is evil, something lurking in the dark. If that’s true you’ll take one look at our Black Magic woman and beg to be swept under her dismal current.
Hal Lasko, better known as Grandpa, worked as a graphic artist back when everything was done by hand. His family introduced him to the computer and Microsoft Paint long after he retired.
Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.
Miuccia Prada revealed four of her sketches from Baz Luhrmann’s adaptation of The Great Gatsby. Luhrmann and Prada wanted to create a world that seemed slightly familiar yet foreign as well.
The book tells a fascinating story in this lavishly illustrated, slipcase volume, revealing the artistic, social, and historical events that created and surrounded the incredible artistic flowering of the now mythical Montparnasse neighborhood.
A closer look at Jens Ullrich, a Berlin-based artist, best recognized for his gatherings of old newspaper that turn into abstract compositions.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.