Paul Surridge serves up a Z Zegna collection of merry wanderers, risk-takers and romantics.
The icons of the New York Skyline will soon have a new companion. Located on Park Avenue between 56th and 57th streets, 432 Park Avenue will be the tallest residential tower in the Western Hempishere upon its completion in 2015.
Styled by Eric Waroll, edited by Daniel Haim and photographed by Hervé Coutin, this new fashion editorial contains some of the codes of Margiela: the mystery, the “factory” touch and the disguised simplicity.
With an introduction by Kenneth E. Silver, this limited-edition volume features a curated selection of Fernand Léger’s extraordinary works.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
The structured designs inspired by architect Santiago Calatrava from Carlos Campos Spring 2013 line continued in his fall collection with strong tailoring and slim fits.
For Fall, Patrik Ervell gave us equal measures of his Swedish and Californian self. In design parlance, it means he feels most at home designing outerwear, and he surely gave his gents some thrilling offers.
It’s hard to pinpoint the best words to describe the collection. It had touches of athletic wear, mixes of downtown cool, and even an almost Amish accessory.
This exaggeration in design is probably the most visually noticeable, but look more closely and you’ll see the detail. And oh the detail Valli does.
Espionage inspiration is kind of a funny one. For a career that wants you to blend in, fashion designers who use the spy world as inspiration sure make it difficult.
The Ocean – where Saturday, Monday’s dramatic strings over minimal techno is paired with Julia’s poetry and haunting vocals – tells a dark, sublime tale off love lost.
Miuccia Prada revealed four of her sketches from Baz Luhrmann’s adaptation of The Great Gatsby. Luhrmann and Prada wanted to create a world that seemed slightly familiar yet foreign as well.
Having models slowly but deliberately make their way around and around to show off Lucio Castro’s primary color fueled collection.
A closer look at Jens Ullrich, a Berlin-based artist, best recognized for his gatherings of old newspaper that turn into abstract compositions.
Pulling inspiration from the cave drawings at Chauvet, Rochambeau’s ready-to-wear men’s fall 2013 collection melds cave drawings with utilitarian style.
Fabien Castanier Gallery is proud to present All You Can Eat, solo exhibition by Tilt.
Did someone order sugary sweet couture? If so, Alexis Mabille delivered.As his first year showing with the haute couture appellate, Mabille celebrated like a kid in a candy store.
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.
Street-style photographer Roza Sinaysky went wondering throughout the streets of Paris to document some of the outstanding moments in Fashion Week.
Vampy, moody nails continued to show up in this season’s collections; dark elegance complimented simple refinement with a savage glamour worthy of long standing popularity.
With the Spring season as his muse, Raf Simons delivers on his promise as a couturier at Dior and quiets his naysayers for good.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.
The highly anticipated opening of Rehs Contemporary Galleries’ exhibit, “The BIG Gamble,” was beyond imagination.
Creativity was overflowing this season, and the usual spring corals were shelved in favor of mini works of art for each fingernail;
Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.