Unveiling look after look, the inspiration of Gucci’s fall 2013 ready-to-wear collection was clear.
old brows are usually a Springtime favorite, a touch of mild masculinity paired with glowing feminine skin is a duo that is a classic heart stopper that never goes out of style.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.
Bernardo Rojo, Joseph Abboud’s still-fresh creative director gave the suits a rest and started the week off with a forward-thinking outerwear showcase.
If a picture is worth a thousand words, then you’ve just read 11,000 of them. A novella of sorts. This story has to count for more, once you see how Corrado Dalco perfectly captures the vibrant Ilaria Pozzi. It’s difficult to focus.
Street-style photographer Roza Sinaysky went wondering throughout the streets of Paris to document some of the outstanding moments in Fashion Week.
Silence, a landscape photo series captured by Claire Droppert. This breathtaking project aims to express simplicity and minimalism and was shot around the world from locations such as Paxos, Greece and Montejaque, Spain.
Danger reigned the Alexander McQueen Fall 2013 runway, with a display by Sarah Burton that was dripping in rigor and more than just a hint of madness.
Ani Afshar brings her newest collection of striking hand-woven tapestries to the Hilton-Asmus Contemporary, entitled: “Woven Gardens, Casting Shadows.”
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.