If a picture is worth a thousand words, then you’ve just read 11,000 of them. A novella of sorts. This story has to count for more, once you see how Corrado Dalco perfectly captures the vibrant Ilaria Pozzi. It’s difficult to focus.
For her third haute couture show, Donatella Versace strikes an unprecedented chord: luxurious daywear – front and center.
A short film about Leonardo Da Costa, a lighthouse keeper stationed in Cabo Polonio, a remote cape in a stretch of Uruguayan coastline rich in shipwrecks and sunken treasures.
Vampy, moody nails continued to show up in this season’s collections; dark elegance complimented simple refinement with a savage glamour worthy of long standing popularity.
We Are Animal have returned to their native mountainous region of Snowdonia, North Wales to record a new album.
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.
David A. Smith recently produced a wonderful turn-of-the-century, trade-card styled album cover for popular American singer/songwriter John Mayer.
Bill Brandt: Shadow and Light is organized by Sarah Meister, Curator, with Drew Sawyer, Beaumont and Nancy Newhall Curatorial Fellow, Department of Photography.
Creating a narrative through the collection, Topman Design showcased their fashions through the evolving nature of one’s global journey.
Gregory Parkinson pulled a quick 180, leaving his signature taste for resplendent colors back in the studio to deliver a deep and moody Fall lineup.