London-based Carmen Villain released her tempestuous debut album, Sleeper, last week on Smalltown Supersound.
In typical Jean Paul Gaultier fashion, the designer went against the trend of the couture lines to have shown.
The highly anticipated opening of Rehs Contemporary Galleries’ exhibit, “The BIG Gamble,” was beyond imagination.
If a picture is worth a thousand words, then you’ve just read 11,000 of them. A novella of sorts. This story has to count for more, once you see how Corrado Dalco perfectly captures the vibrant Ilaria Pozzi. It’s difficult to focus.
Featuring the superb Katie Stelmanis of Austra, “Save Me” is the first single from Hervé’s forthcoming album, ‘The Art Of Disappearing’, out March 4th on Cheap Thrills.
Directed by filmmaker Dan Sully – who also created the video for the first album’s single ‘Come Closer’– this cinematic love letter to Liverpool offers a series of emotionally resonant vignettes shot in classic black and white.
The Kenzo man evolves into something a bit more serious, a bit more high-fashion, at this year’s Pitti Uomo.
The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.
It’s hard to pinpoint the best words to describe the collection. It had touches of athletic wear, mixes of downtown cool, and even an almost Amish accessory.
Ruins in Reverse is the result of a curatorial collaboration between Tate Modern in London and the Museo de Arte de Lima in Peru, a partnership which will be celebrated by a new commission from José Carlos Martinat.