Founded in Connecticut in 1975, Ghurka has served as a symbol of superior American leather craftsmanship for almost forty years.
A massive illuminated globe, with the CC logos shining on all of the store locations across the world, sat in the center of the catwalk and visually highlighted the force that Chanel is.
The image of the femme fatale continued with dramatic liner for a savage sex appeal that brought attention to the intensity of the eyes.
Ranging from an armored gauntlet in a First World War poster by Ludwig Hohlwein to glistening talons advertising Japanese nail polish in the 1980s, the disembodied hands in this exhibition salute, menace, manipulate, and caress.
Dear Stranger (1998-2000) is a highly self-conscious study in photographic voyeurism.
The work of Angel Olsen is entirely her own: a raw, glowing sound that stands out now just as much as it did in 2010.
Riccardo Tisci will continue his reign at Givenchy. Givenchy extended Tisci’s contract for another three years showing faith in the creative director’s vision, designs, and business plans.
Subtlety and Versace go together like pickles and peanut butter. One doesn’t wear Versace to blend in, nor does one eat P&P for a bland sandwich.
Giovanna Randall serves up a particularly sweet morsel with Honor, during a gloom-laden New York Fashion Week.
In light of the recent public outcry over Henry Moore’s public sculpture ‘Old Flo’, Tate Britain invites a panel to discuss ‘Who owns public art?’.