The artistic practice of Dieter Roth (Swiss, b. Germany, 1930-1998) encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned work—prints, books, and multiples—that he made his most radical contributions.
Don’t you hate those lazy Saturday afternoons when you’re hungover, your hair looks perfectly disheveled, and all you have to wear is Balenciaga pulled straight off the runway?
The budding supermodel credited the dance form with teaching her discipline and body awareness, which has helped her career immensely.
Dragon Woman is a powerful and striking fashion editorial photographed by Viktorija Pashuta. Styling by Chalia Carpenter, hair by Mil Ranon and make-up by Tamra-Marie.
Swoon your way into spring and channel your inner vintage goddess by taking inspiration from this fantastic shoot from Alexander Neumann for L’Officiel Paris February 2012.
A chic accessory does not go unnoticed during the fervor of Fashion Week. Street style photographer Roza Sinaysky has gone to the streets to document outstanding moments of handbag history.
The magic of the holidays is captured in a modern interpretation of 17th century theatrics, transporting the wearer to a time filled with luxury and opulence.
Jack McCollough and Lazaro Hernandez have had lots on their collective plate as of late (namely, the opening of their New York City flagship store uptown with another downtown location following suit right after), and yet, a heavy workload has never been known to stifle the creative juices that flow from the powerful Proenza Schouler duo – that is, until this latest resort collection.
Maria Grazia Chiuri and Pier Paolo Piccioli are something like conjurers. Their Valentino woman is a perfect mix of modern and mythic femininity. Their clothes have always been blessed by a finely tuned temporal amalgamation of good taste – a little bit of the old, a little bit of the new.
Christopher Bailey’s “The Gentlemen”, his Fall 2012 menswear collection, gives way to his feminine exploration of the ultimate English sartorial crossroads – the haute interminglings at the corner of “Town and Field”.
Raf Simons has discovered “specific codes” since he began working at Christian Dior.
Living life as a model in the bustling metropolis of New York City isn’t half bad. We had the opportunity to sit down with a rising star in the industry.
The designer is launching a lower-priced collection Miss Wu with department store Nordstrom in January. He has described the ways it will differ from his high-end line.
Audemars Piguet, will introduced his own space Lounge AP in the next edition of ARCO, the International Fair of Contemporary Art in Madrid.
Aline Weber photographed by Liz Collins for Numero #132.
Los Angeles based shoe-architect Jerome Rosseau moved to the City of Angels six years ago, after a long stint working under names like Matthew Williamson, John Richardson and Jasper Conrad in the UK. In 2008.
Legends, statements, and stars. At least that’s what Roberto Cavalli envisioned for his spring 2012 campaign, featuring iconic faces Naomi Campbell, Karen Elson, Kristen McMenamy and Daphne Groeneveld.
That strange sensation in the pit of your stomach before a Prada show is very natural. It’s called anticipation. Every spring and fall, for at least 8 minutes, the fashion world comes to a halt and pays attention to what Prada and crew have to deliver for the season.
Charlotte Tilbury brought color, creativity and a serious eye to this amazing runway show. Her inspiration? As simple but complicated as “a bird’s feather.”
Fall 2012 found the inexhaustible Betsey Johnson in solid form.
Photographer Karina Lidia shoots this fashion editorial titled Fair Play. Styled by Kieran Partise, these images depict a sultry, provocative, “behind closed doors” look at a privileged lifestyle.
Burberry Prorsum makes trenches. Yes, we got it, and Christopher Bailey knows we got it too. Here he continues to tout his refocus on the house parka, and more expressively still, on the bomber.
There was a very strong eye; Pat McGrath created something “very manga” layering an orange greasepaint over blocked-out arches and sweeping a black greasepaint through the crease and up toward the brow bone. Upper and lower lash lines were then rimmed with alternating strokes of black and purple pencil.
Using the “opulence of Indochina” as his inspiration, Peter Dundas takes us on a journey of Asian eloquence with delicate dragon and tiger embroideries, kimono jackets, and plunging cheongsams revealing bare backs of the adventurous wearer.