Pat McGrath created an image of “a passionate woman [this season] and you can’t get more passionate than red.” Skin was immaculate and lightly highlighted through the center of the face, while eyes were simple using a neutral brown to contour and a white frosty shadow to line the lids.
That strange sensation in the pit of your stomach before a Prada show is very natural. It’s called anticipation. Every spring and fall, for at least 8 minutes, the fashion world comes to a halt and pays attention to what Prada and crew have to deliver for the season.
In contemporary fashion, there are few pleasures as satisfying as following Brit designer Christopher Kane from Point A to Point B. While his pieces are almost always certainly ‘pretty’, they happen to be interesting enough to be equally ‘lugubrious’.
A “modern medieval” princess stalked the runway this season at Rodarte, adventurously taking inspiration from the fantasies of role playing games to create an image of the ultimate warrior.
Marc Jacobs has an idiosyncratic way of looking at women with a spontaneity and fearlessness that pushes boundaries that may not necessarily be everyone’s taste, but still fascinating in execution. His spring 2013 collection was exquisite, a dreamlike nod to the 60’s;
Lazaro Hernandez and Jack McCollough reinvent the idea of the “cool” girl every season at Proenza Schouler, and this one birthed the computer manufactured, high def heroine that is both ambitious and energetic decked out in a collage of abstract images said to be found from Tumblr.
With all they have to celebrate, how apropos is a ‘Greatest Hits’ collection at this point? It may not have been intentional, but Proenza Schouler’s latest collection, all its mighty bravura aside, came across as self-referential at times, despite McCollough and Hernandez’s insistence on internet ‘randomness’ as their guiding trope for the season.
It seems almost a miracle that they hadn’t tackled it before. Fantasy role-playing warrior princesses? That’s prime fodder for the overly active imaginations of Rodarte’s Kate and Laura Mulleavy.
Ruby Jean. Remember that name. “You’re destined for big things little Ruby Jean”. It’s that kind of name, and fitting for the bleach blonde beauty that opened the Marc Jacobs show. It’s possible that her entrance was so picture-perfect, so holistic in mood, so Marc Jacobs at a molecular level that, at least for this editor, the message that would play out for the next seven minutes announced itself entirely in that moment.
Hair was tucked and pinned loosely into a faux 1930’s bob delicately waving around the jaw line. One could almost envision the young Duras captured in time, beautiful and fresh, gracefully pushing a curl aside.
Inspired by Sarah Moon, the Sixties model and photographer, Diane Kendal from MAC cosmetics kept the makeup chic and illimitable for a look that could be lost in time. She applied MAC face and body to the skin, a favorite amongst artists for a flawless finish.
After ten years in the business, Rag & Bone’s David Neville and Marcus Wainwright continue to hold on to a wise and seemingly simple credo: Cool Believability.
After winning the CFDA Swarovski Award for Womenswear and delivering on that promise with a Fall collection that landed right at the tippy tops of most editors’ best of the season lists, one could only guess that being Joseph Altuzarra these days comes with pressure most mortals would crumble under.
The most prescient, lingering sentiment after Alexander Wang’s Spring ’13 show was ‘focus’. It was fiercely edited, and that’s not a fashionista layman’s “fierce” term we’re talking about here.
Collaborating with Revlon for the show, Revlon Global Artistic Director Gucci Westman stuck to subtle beauty. “I wanted to create a look that was bold, but still looked soft and natural,” says Westman.
Makeup artist Diane Kendal always delivers superb artistry when executing each runway look, and this was no exception. Makeup was simple, a sporty-chic compliment to a hard-edged, streamlined collection.
Hair was prepped with Fekkai Full Blown Styling Whip in wet hair, then blow-dried flat into a deep side part. After spraying Fekkai Coif Sheer Hold Hairspray into sections, hair was pulled into a tight, low ponytail and misted with Fekkai Brilliant Glossing Sheer Shine Mist for an intense luster.
Standing side by side along a wall of windows, in the large expanse of a 12th floor loft along the Hudson, were Gregory Parkinson’s girls donning his breathtaking dresses for Spring.
Visions of lemon and citrus freshened up faces along with the collection, youthful florals and delicate lace sweetly adorned each dress painting the perfect image of a young girl in the summer.
Sex has been on the Wu docket for years, but never through a prism as sexually emblematic as that of Newton.
A single finger wave opposite the part strongly gave a chic effect to the total look. Diane Kendal used MAC backstage, producing a multishade red lip layering MAC Cherry Red lip pencil all over the lip, outlining the lip with Vino Lip Pencil.
Aptly named “Batteries Not Included,” Nichole Miller’s spring vision is what you’d call “relaxed chic,” a youthful sophistication with an urban edge. “While designing my Spring 2013 collection, I was inspired by sci-fi 80s movies.
It was refreshing to finally see an original beauty moment at Ivana Helsinki; faces were beautifully sophisticated with a pleasant twist. Titled “Mourning Sun Motel,” the collection was based on a film about guests at an old motel shot in Finland in the summer of 2012.
There was a drastic difference between the boudoir bondage and the beauty that accompanied it this season at BCBG Max Azria.
Beads of sweat ran rampant in that story, based in Vietnam, and Cibani has always been something of a merry wanderer herself