This exhibition, covering the period from 1910 to today, offers a critical reassessment of photography’s role in the avant-garde and neo-avant-garde movements—with a special emphasis on the medium’s relation to Dada, Bauhaus, Surrealism, Constructivism, New Objectivity, Conceptual, and post-Conceptual art—and in the development of contemporary artistic practices.
Working dexterously from sources inspired by literature, Old Master paintings, and photographs in popular magazines, Wulff makes paintings inflected by wide-ranging references and in the process builds a surreal universe that moves across time periods.
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