A Bigger Splash offers a unique chance to see how ‘action’ painters worked in the 1950s, 1960s and beyond, including Niki de Saint Phalle, Pinot Gallizio, the Japanese Gutai and Viennese Actionists.
Winner of the Golden Lion award at the 2011 Venice Biennale, The Clock is a cinematic tour de force that unfolds on the screen in real time through thousands of film excerpts that form a 24-hour montage.
Leading British artist and Turner Prize winner, Simon Starling (b 1967), will create a major new project for the Tate Britain Commission 2013, supported by Sotheby’s.
MoMA has acquired a selection of 14 video games, the seedbed for an initial wish list of about 40 to be acquired in the near future, as well as for a new category of artworks in MoMA’s collection that will grow in the future.
From February 16 through June 2, 2013, the San Francisco Museum of Modern Art will present Lebbeus Woods, Architect, bringing together 75 works from the past 35 years by one of the most influential architects working in the field.
A major new exhibition celebrating the life and work of Valentino will open at Somerset House this November. “Valentino: Master of Couture” will be a glamorous exhibition focusing exclusively on haute couture created by the legendary Italian designer.
Edvard Munch’s iconic The Scream (1895), among the most celebrated and recognized images in art history, will go on view at The Museum of Modern Art for a period of six months beginning October 24.
Vincent Castiglia opens his retrospective show at the Sacred Gallery in SoHo, NY tonight. The media are all over him – from the BBC to Reuters, there are a line of TV crews and journalists fascinated by his huge paintings of ” the universal themes of death, sex, birth and decay” as he succinctly puts it each time.
From December 1, 2012, through March 3, 2013, the San Francisco Museum of Modern Art (SFMOMA) will present South Africa in Apartheid and After: David Goldblatt, Ernest Cole, Billy Monk, featuring work by three photographers that illuminates a rich and diverse photographic tradition as well as a vital, difficult, and contested period in the history of South Africa.
Throughout his career, contemporary American artist Jasper Johns, now 82, has found new ways to explore, as he once put it, “how we see and why we see the way we do.” Continually reinventing his own work, he has driven key transformation in the art world for nearly 60 years.
From November 3, 2012 through February 3, 2013, the San Francisco Museum of Modern Art (SFMOMA) will present Jay DeFeo: A Retrospective, the most comprehensive exhibition to date of the Bay Area artist Jay DeFeo (1929–1989).
Korean artist Sung Hwan Kim presents the first specially commissioned installation to be unveiled in The Tanks, Tate Modern’s new galleries permanently dedicated to performance and film. The exhibition is supported by Sotheby’s and runs from 18 July to 28 October.
As part of Olafur Eliasson: Little Sun at Tate Modern, to be launched on 28 July 2012, visitors will be invited to look at works of art in the dark using only the light of Eliasson’s Little Sunsolar-powered lamps.
The Met’s Spring 2012 Costume Institute exhibition, Schiaparelli and Prada: Impossible Conversations, explores the striking affinities between Elsa Schiaparelli and Miuccia Prada, two Italian designers from different eras. Inspired by Miguel Covarrubias’s “Impossible Interviews” for Vanity Fair in the 1930s, the exhibition features orchestrated conversations between these iconic women to suggest new readings of their most innovative work.
Douglas Kirkland’s extraordinary photographs, compiled for the first time in their complete form here, allow us to pry into the mysterious woman known as Marilyn Monroe, unveiling an intimate night that the world- class photographer shared with the icon.
From September 1, 2012, through January 6, 2013, the San Francisco Museum of Modern Art (SFMOMA) will present an exhibition that bends and blurs the boundaries between conceptual art and theoretical architecture, using the notion of the “field” to frame an investigation into the construction, representation, and experience of space.
Edvard Munch: The Modern Eye is a major exhibition which reassesses the work of this Norwegian painter. It proposes a ground-breaking dialogue between the artist’s paintings and drawings made in the first half of the 20th century and his often overlooked interest in the rise of modern media, including photography, film and the re-birth of stage production.
In spring 2013, Tate Modern will open the most comprehensive exhibition ever devoted to foremost Pop artist Roy Lichtenstein.
Stage and Twist brings together Polish artist Anna Molska and Romanian artist Ciprian Mureşan for their first exhibition in a London museum.
This exhibition showcases some 80 prints and artists’ books the Museum has acquired over the past two years, and reveals how an art collection is always a work in progress.
The thirteen double-sided drawings represent a wide range of Darger’s practices, and have been carefully selected from the remaining body of exceptionally important work still held by his estate.
The San Francisco Museum of Modern Art (SFMOMA) announced today the acquisition of noted artist Robert Arneson’s Portrait of George (Moscone), 1981, a large-scale commemorative bust of former San Francisco Mayor George Moscone that incited great controversy when first commissioned and unveiled by the city more than 30 years ago.
The artistic practice of Dieter Roth (Swiss, b. Germany, 1930-1998) encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned work—prints, books, and multiples—that he made his most radical contributions.
Beginning May 26, 2012, and extending through the summer, the San Francisco Museum of Modern Art (SFMOMA) presents a series of tributes to the Bay Area’s beloved Golden Gate Bridge.
In the early 1960s, Claes Oldenburg redefined the concept of sculpture. This exhibition offers the most comprehensive overview of Oldenburg’s early career to date, including The Store, the artist’s best-known body of work from this period.